iWorld

Indian content creators must find out right stories to reach global audiences

Distribution also plays a key role in content to travel.

https://www.indiantelevision.com/sites/default/files/styles/smartcrop_800x800/public/images/tv-images/2019/10/07/vidnet19.jpg?itok=v_sUZrG5

MUMBAI: Over the top platforms have opened up the doors for content creators to share their creativity across the world. Despite the influx of major companies such as Netflix and Amazon Prime Video in India, content creators are still figuring out how to make their stories go global.

At the stage of Indiantelevision.com’s Vidnet 2019 summit, some of the successful creators spilt the beans on their strategies. The creators of Delhi Crime, Lunch Box and Bard of Blood believe that stories that resonate and connect emotionally with the global audiences do travel. 

The panel discussion ‘Making Indian Stories Travel’ in the creators’ track was moderated by BookMyShow VP content and strategy Manisha Singh Katial and the panellists were MUBI India content advisor Guneet Munga, Delhi Crime creator, director and writer Richie Mehta, and Red Chillies Entertainment chief revenue officer Gaurav Verma. 

Katial opened the discussion by stating, “Yes, stories that are good do travel. But they also have to be culturally connected and I think that also becomes the challenge. Something that culturally connects with you resonates more, and something that connects with you emotionally, definitely works. I do feel making stories that travel is a challenge because it depends on the content that one is creating.”

Katial asked Mehta to share the feedback he received on Delhi Crime. “The feedback for Delhi Crime is global. I have been hearing that the story has travelled quite far, and seems to have resonated with people all over the world. I knew this when I was conceiving the project.”

He further elaborated, “I was in Delhi when the crime happened. So I reacted to it as somebody in India would. Then I left and went to Toronto and there I realised that this wasn’t just an ‘Indian’ thing, this was a humanitarian issue for the planet’s citizen. When I pieced together my work I figured out that it could have deep meaning for the Indian audience.”

Mehta’s aim was to show a positive representation of India through his story. “It is the worst thing that has ever happened in this country and if you can spin that around to make a story of the extreme positive environment, especially for somebody outside with no knowledge and understanding about India, I certainly want to make it like that,” he said.

Monga, the creator of Lunch Box, also expressed that content creators have tried to represent Indian beyond Bollywood’s depiction. Distribution has been the challenge previously. She said, “Across the world there are different sets of distribution, buyers and strategies. So it was not the same release day of films worldwide. Lunch Box released over two years around the world. And it is important for us to understand there are many layers to this.”

Monga said that films can travel either because of its content or because of the choice of distribution partners. Sometimes a really good film is unable to travel because it does not have the right access. “So having the right access and having that distribution division, which is not just diaspora, is important. I feel with Netflix coming in India the lines are merging and now people will be able to see what India is with all its languages and colours, all its type of filmmaking and storytelling.”

Katial commented that while having partners like Amazon and Netflix is great, it is also necessary to think internationally. To this, Verma added that one should not try to attempt an international story with the pressure that one has to appeal to seven billion consumers because emotional stories will connect to people. The best way to dazzle the audience is through content and script. Verma also opined that the industry is facing the issue of lack of talent. OTT platforms need writers who can understand the audiences’ need. 

The panellists also said that apart from appealing stories and subjects, subtitles and dubbing of the content in different languages are also extremely pivotal in reaching global audiences.

Latest Reads

https://www.indiantelevision.com/sites/default/files/styles/340x340/public/images/tv-images/2020/01/18/Umesh_Bopche.jpg?itok=JMqASvk9
7 Top Video Trends to Watch Out for in 2020

In a world where capturing consumers’ attention is getting harder, and customer acquisition is getting more expensive, video is one of the best ways for brands to communicate with their target audience. With the new year rolling in, now is a great time for brands to rethink their video strategy and...

iWorld Social Media
https://www.indiantelevision.com/sites/default/files/styles/340x340/public/images/tv-images/2020/01/18/Mukesh_Ambani_800.jpg?itok=C1kRF8IV
Jio juggernaut marches on with 62 percent bottomline growth in Q3 2020

BENGALURU: Mukesh Dhirbhai Ambani’s largest start up in the world, Reliance Jio Infocomm Limited (Jio) reported 62.5 percent growth in standalone profit after tax (PAT) for the period ended 31 December 2019 (Q3 2020, period or quarter under review) as compared to the corresponding year ago quarter...

iWorld Broadband
https://www.indiantelevision.com/sites/default/files/styles/340x340/public/images/tv-images/2020/01/17/gb.jpg?itok=NGmjYBd-
ALTBalaji’s 'Gandii Baat' enjoys popularity across demographics

ALT Balaji's  highly viewed show Gandii Baat enjoys a tremendous fan base for its projection of stories revolving around the harsh realities of the society, mental taboos in regards to sexual orientations and many more relevant issues.

iWorld Over The Top Services
https://www.indiantelevision.com/sites/default/files/styles/340x340/public/images/tv-images/2020/01/17/cc.jpg?itok=0GF9W_eY
Data has made us richer in thinking and approach: ZEE5’s Aparna Acharekar

Data, touted as the new oil, has empowered creativity, especially in the segment of over-the-top (OTT) platforms. As audiences across the country are spoilt with options, streaming engines are integrating data massively in content strategy.

iWorld Over The Top Services
https://www.indiantelevision.com/sites/default/files/styles/340x340/public/images/tv-images/2020/01/17/Jeff-Bezos.jpg?itok=INaoKNjD
Amazon's Jeff Bezos tells Bollywood content is Prime motive

Jeff Bezos is used to thinking big. He is also used to controversies. So even as his plan to invest a billion dollars in Amazon’s India operation got a lot of press and protests and a snub from commerce minister Piyush Goyal (at a time when the competition commission is investigating "predatory...

iWorld Over The Top Services
https://www.indiantelevision.com/sites/default/files/styles/340x340/public/images/tv-images/2020/01/16/gandi.jpg?itok=Ym7sG5Tx
Were you writing off ALTBalaji’s Gandii Baat? Here’s why you should not!

MUMBAI: ALTBalaji, India’s leading homegrown OTT platform, once again proves that no one knows Indian audiences better. On the back of some highly engaging mass content, the OTT platform is once again making headlines for one of its most spoken about originals, Gandii Baat. The highly-watched web-...

iWorld Over The Top Services
https://www.indiantelevision.com/sites/default/files/styles/340x340/public/images/tv-images/2020/01/15/Damaged.jpg?itok=ObeCcR37
Hungama Play launches Season 2 of 'Damaged'

MUMBAI: Hungama Play, a leading video on demand platform owned by Hungama Digital Media, has launched the second season of its blockbuster Hungama Original, ‘Damaged’. Like the first season, Damaged 2 is a psychological crime drama with a strong female character at the helm of the story. This...

iWorld Over The Top Services
https://www.indiantelevision.com/sites/default/files/styles/340x340/public/images/tv-images/2020/01/15/Akash_Banerji.jpg?itok=FiMcBgPO
OTT platforms should focus more on retention: VOOT's Akash Banerji

As more and more users are flocking to over-the-top (OTT) platforms, the contenders in the race are getting aggressive about acquiring new users. Viacom18’s digital arm VOOT has garnered 100 million monthly active users amid this fierce competition. The three-year-old streaming platform is, however...

iWorld Over The Top Services
https://www.indiantelevision.com/sites/default/files/styles/340x340/public/images/tv-images/2020/01/14/metro.jpg?itok=Gt9bhBXA
Eros Now brings season 2 of ‘Metro Park’

MUMBAI: Eros Now’s legacy of entertaining the masses is a well-trod territory and over time the premium OTT platform has developed deeper relations with the audience through captivating content. Continuing with what Eros Now knows best, which is entertaining the audiences, it comes as terrific news...

iWorld Over The Top Services

Sign up for our Newsletter

subscribe for latest stories