Brands
WforWoman debuts Spring Summer 2026 collection at Paris Fashion Week
Aditya Birla brand becomes first Indian wear label to present at Paris runway.
MUMBAI: From kurta to couture runway, Indian ethnic wear has just taken a confident stroll through Paris. WforWoman, the contemporary Indian wear label from Aditya Birla Fashion and Retail Ltd., has showcased its Spring Summer 2026 collection at Paris Fashion Week, becoming the first Indian wear brand to present its designs at the global fashion event.
The runway appearance marks a significant step in the brand’s international ambitions. After making its international debut in New York last year, the Paris showcase signals the label’s growing push to position modern Indian ethnic wear within the global fashion conversation.
Speaking on the milestone, Aditya Birla Fashion and Retail Ltd chief executive officer of the TCNS Division Anant Daga described the moment as an important recognition for Indian design on the international stage. “For years, we have been redefining how the world perceives Indian ethnic wear by blending tradition with modernity. Seeing our silhouettes presented on the runway in Paris is powerful and deeply meaningful,” he said.
The Paris showcase featured a curated runway presentation that combined festive, occasion and contemporary silhouettes. The collection highlighted how modern Indian fashion balances heritage craftsmanship with everyday wearability while appealing to a global audience.
Rather than presenting ethnic wear as traditional costume or couture, the collection positioned high street Indian fashion confidently alongside international design houses, reflecting a shift in how Indian style is perceived globally.
The Spring Summer 2026 line was structured around four thematic capsules that interpret Indian fashion through a contemporary lens.
Poetic Reverie: Summer Weddings featured soft pastels, flowing fabrics and delicate embellishments designed for warm weather celebrations, evoking the romance and elegance of modern wedding occasions.
Pristine Summer explored clean bicolour palettes and refined silhouettes suited for daytime festivities and summer gatherings, presenting Indian dressing with a minimalist global aesthetic.
Youthful Celebration introduced vibrant prints, lively shapes and playful details such as flowing capes and potlis, bringing a youthful energy to festive wear.
Holiday: The Indian Way reimagined resort dressing through relaxed silhouettes, bold prints and graphic accents designed for travel, leisure and summer getaways.
The Paris debut reflects the brand’s broader ambition to position Indian ethnic fashion as an evolving force within global style culture. As international fashion increasingly embraces diverse design narratives, WforWoman’s presence on the Paris runway signals a growing appetite for contemporary Indian aesthetics.
Following the showcase, the Spring Summer 2026 collection is now available across WforWoman stores in India and through the brand’s official website, bringing its Paris runway moment directly to customers at home.
Brands
UK’s OnlyFans seeks US investor at $3bn valuation after owner’s death
The adult video platform is seeking stability after the death of its billionaire owner
LONDON: OnlyFans is looking for a new partner. The London-based adult video platform is in advanced talks to sell a minority stake of less than 20 per cent to Architect Capital, a San Francisco-based investment firm, in a deal that would value the business at more than $3bn (£2.2bn).
The move is driven by an urgent need for stability. Leonid Radvinsky, the Ukrainian-American billionaire who owned OnlyFans, died of cancer last month at the age of 43, leaving the future of one of Britain’s most profitable privately held businesses suddenly uncertain.
The choice of Architect Capital is not arbitrary. The firm has deep expertise in financial services, which aligns neatly with OnlyFans’ ambitions to offer banking products to its creators, many of whom have long struggled to access basic financial services because of the nature of their work.
The numbers behind OnlyFans are, by any measure, staggering. The platform posted revenues of $1.4bn in the year to 30th November 2024, with a pre-tax profit of $684m, up four per cent on the prior year. Payments to creators totalled $7.2bn over the same period, a rise of nearly ten per cent. Radvinsky personally collected $701m in dividends from the business in 2024 alone, on top of more than $1bn in such payments he had already received. The platform, run through its parent company Felix International, hosts 4.6m creator accounts, with performers keeping 80 per cent of subscription proceeds and the platform pocketing the remaining 20 per cent. It has 377m fan accounts in total.
The current minority stake talks represent a notable scaling back of ambitions. In January, OnlyFans was reported to be in discussions with Architect about selling a majority stake of 60 per cent. Before that, the company had explored a sale to a consortium led by Forest Road Company, a Los Angeles-based investment firm. Neither deal materialised.
OnlyFans has built an enormously lucrative business on content that mainstream finance has long refused to touch. Now, with its owner gone and a $3bn valuation on the table, it is looking for the kind of respectable institutional backing that might finally persuade the banks to take its calls.
