Novelty, originality and availability: the keys to content success

Emotional content has been gaining traction.

MUMBAI: The NoTa (New on the Air)  Conference reviewing television trends and consumption around the world in 2019 presented on 6 February 2020 in Los Angeles confirms that catch-up and preview viewing for television programmes can significantly add-up to the ratings. In terms of content, “emotainment” represents a strong trend to unite the whole family around television. Fiction remains the key genre addressing both real events and supernatural fiction formats.

Said research firm Glance (earlier Mediametrie) vice-president Frédéric Vaulpré: “The profusion of content presents a real challenge for the market: how to capture and then retain an increasingly sought-after audience and how to adapt to the new consumption habits of TV viewers. Making content available during an extended time period via live broadcasts, catch-up and, more recently, preview appears to be essential for the television offer going forward into the future.”

Added Glance content insight director Avril Blondelot:  “Now more than ever, novelty is synonymous with audience success. In 2019, 10,600 new series were identified in the countries studied by the NoTa monitoring service. Among these new programme launches on the channels measured, the proportion of audience hits has risen in two years. Besides, over a three year period, quite many channels have had their most successful launch by genre in 2019 in ratings.”

New timings benefit ratings

Watch a TV programme ... as it airs today, via catch-up tomorrow, or even as an advance preview before the show broadcasts in the coming days or weeks. In 2019, new ways to watch TV have become part of viewer habits. Although live TV broadcasts still account for the vast majority of daily TV viewing time, other practices are becoming established: let’s start with catch-up, which is now a well-known alternative amongst viewers. In 2019, out of the average of 3 hrs and 40 mins daily TV viewing time in five countries combined (France, Italy, Spain, the United Kingdom, the United States), 10 per cent was catch-up. This practice is growing its appeal across different age groups and is no longer the prerogative of young people.

Preview – the possibility of watching a programme before it airs on a scheduled broadcast – represents a remarkable audience booster for the programmes that offer this option. In the United Kingdom for example, where preview is offered, it can bring an additional 37 per cent  audience share to a programme. On that side of the Channel, most preview shows are in the fictional genre, and are generally aired in the late-evening time slot. Other examples include the British series Manifest, broadcast on Sky One, and Gold Digger aired on BBC One for which 90 per cent and 58 per cent of their total audiences respectively were thanks to preview.

Emotional content and original game formats bring audiences together

Entertainment is still a strong draw to TV sets, especially as a family. Embracing this trend, the concept of “emotainment” means content that generates positive emotions around the themes of music, nostalgia and celebrations.

Over its first month on air, Song of My Life (YLE TV1, Finland), a musical look back over events in the personal and professional lives of famous guests, boosted the prime time audience share for that country’s leading channel by more than 50% among its target audience: 25-44 year olds.

Similarly, Studio G (TVA, Quebec), threw a Champagne party for celebrities whose 4 episodes were watched by one third  of young adult TV viewers on average.

TV game shows are ever popular and gather viewers around their television sets. This year was particularly strong for original shows (twice the number versus 2017). One such example was: The Way Out (VTM, Belgium), a format that crossed a science experiment with a physical challenge and tinged it with humour; leading to an almost 80% average boost in evening market share for its channel across the four episodes.

Lastly, as far as factual programming is concerned, the search for emotion is still there, but success lies in content that promotes helping others and which prompts all generations of the general public to get involved. Reflecting the current state of society, the programme The Key (RTL4, Netherlands), for example, gives homeless people the chance to make a new start by moving into accommodation. For its launch, the programme brought the channel an average audience gain of almost 75% among the 20-34 year old age group.

Fiction: between reality and the supernatural

With 4,700 series launched in 2019 (i.e. 45 per cent of the new shows studied), fiction remains one of TV content’s dominant genres. The two trends that emerged or were strengthened this year: fiction based on real events (news items and historical stories) and, on the opposite end, supernatural fiction formats.

A common sight on special interest channels, documentaries that dissect news stories and unsolved crimes are a sure-fire hit with viewers. The phenomenon now extends to fiction, with the same demands in the search for truth and information. Examples include the series Stanley H. (NPO3, Netherlands) which tells the story of Stanley Hillis, one of the most famous criminals in that country; or White House Farm (ITV, UK), which focuses on the murders of five members of the same family on their Essex farm in 1985. Finally, digging up a national incident, relying on historical elements and sticking as closely to reality as possible is the subject of the one-of-a-kind fiction: 22 July (NRK1, Norway), which returns to the Utoya massacre perpetrated by terrorist Anders Behring Breivik. This fictional evocation of a trauma that gripped the nation focused on the professionals who were affected by the events (police, paramedics, journalists, etc.), and earned the channel an extra 28 per cent (ear average for its launch in primetime in all individuals.

Fantasy and horror series are spreading out in Western Europe and Asia on major channels. BBC has opted to air the mini-series Dracula created by the authors of Sherlock, and Hotel del Luna (TVN, South Korea), broadcast on Korea's fourth largest channel, was introduced as one of the best science-fiction productions in 2019, increasing the average audience share for the channel by a factor of 3.5 amongst 15-34 year olds, across the first eight episodes.

Latest Reads
ViacomCBS reports $6.871 bn revenue in Q4

MUMBAI: ViacomCBS today reported financial results for the quarter and full year ended 31 December. The company’s full year revenue increased 2 per cent, driven by growth in advertising, affiliate and content licensing. Significantly, it reported the first quarterly earnings as a combined company....

Television TV Channels GECs
#JusticeForNirbhaya – A ZEE News Initiative

MUMBAI: Do you remember Nirbhaya? Or, like every other person, you too have forgotten the monstrous scar on the face of India? On 16th December 2012, when the heinous crime came into light, people came out on roads with candles in their hands protesting. Now, after more than 7 years, when most of...

Television TV Channels News Broadcasting
Sony YAY!’s Honey and Bunny bring pet-parents closer to their pets this “Love Your Pet Day”

MUMBAI: February 20 is celebrated as “Love your pet day” and what better occasion than this day to shower our furry friends with all the love. It was an eventful day at Sony YAY! where they celebrated this day with their famous pet Jodi – Honey Bunny. Not only that, this “Love your pet day” Sony...

Television TV Channels Kids
An Indian IP For Kids: Brands Collaborating With Windmill Look To Create Meaningful, Interactive Conversations

MUMBAI: The 4th edition of Nickelodeon Windmill Festival, an initiative by Event Capital and Tribe Asia, will take place on 22nd – 23rd February 2020 at JioWorld Garden, BKC. Having grown into India’s largest children’s outdoor festival, Windmill has brought on board sponsors like Hershey’s, Kotak...

Television TV Channels Kids
Zee Telugu to launch new fiction show 'Thoorpu Padamara'

MUMBAI: Zee Telugu, a Telugu General Entertainment Channel of Zee Entertainment Enterprises Ltd (ZEEL), is all set to launch its new fiction show Thoorpu Padamara on 24 February. The show, which will air in the early primetime slot at 6 PM, features Yamini, Vinay, Jaya Kavi and Pranay in lead roles.

Television TV Channels Regional
Sony MAX to air world television premiere of 'Marjaavaan' on 29 February

MUMBAI: Sony MAX is all set to feature the World Television Premiere of the month – Marjaavaan. The action drama featuring Siddharth Malhotra, Riteish Deshmukh and Tara Sutaria will be showcased on 29th February 2020 at 8PM.

Television TV Channels GECs
Sony MAX to air world television premiere of ‘Marjaavaan’ on 29 February

Sony MAX is all set to feature the World Television Premiere of the month – Marjaavaan. The action drama featuring Siddharth Malhotra, Riteish Deshmukh and Tara Sutaria will be showcased on 29th February 2020 at 8PM.

Television TV Channels Viewership
Sony Pictures Networks signs multi-year deal with Extreme E

MUMBAI: Sony Pictures Networks India (SPN) and Extreme E have signed a four-year broadcast partnership for the electric SUV off-road motorsport series, set to begin its inaugural season in 2021. According to a press statement, the goal is to highlight the impact of human interference and climate...

Television TV Channels Sports
Experimentation, innovation, risky moves enable Colors to top the charts: Viacom18's Nina Elavia Jaipuria

MUMBAI: What's the secret sauce that has been adding flavour to Hindi GEC Colors lately? For the past few weeks Viacom18's Hindi GEC Colors has been seen in the leading position in the urban market and pay platform of BARC India’s weekly ratings. The channel has been leading with 22 per cent market...

Television TV Channels GECs

Sign up for our Newsletter

subscribe for latest stories