Rajnish Lall: Ad man to OTT content maker

Thinkistan fame Rajnish Lall on his journey from advertising professional to film producer


MUMBAI: With the explosion of OTT space in the last decade, the content creation folks are having a gala time like never before.  In India alone, there are currently over 30 OTT platforms fighting aggressively for the customer’s wallet-share and screen-time by offering movies, music, sports streaming, satellite channels and original shows.  

This ever-increasing demand for original content has opened new avenues for young production enthusiasts, for whom  content creation is  more than just minting money.

Rajnish Lall is one such movie enthusiast who forayed into production with his debut short movie ‘The Fall’ 13-years ago. Having spent more than a decade in corporate life working with advertising agencies (Clarion, Contract & Bates) and as marketing head of B4U Music, Lall had little experience in production before his first project.

 Lall says that he was bored with his life as an ad-film maker and was looking for a new medium to tell stories close to his heart.  

His very first project, The Fall, a slickly shot love tale was a 10-minute-long silent movie featuring Rahul Bose and Nauheed Cyrusi.

Recalling his experience, Lall says that the entire movie was shot in a single day with a budget of just over Rs 60,000 including the post-production cost.

“To be honest, even Rs 60,000 felt like a big amount then. We shot the entire movie on Super 16 camera as there were no HD cameras then. I collected old footage left from earlier shoots. I asked my colleagues to edit it for free. Believe me, no one in our team, right from Rahul Bose, Nauheed Cyrusi, cinematographer Vishal Sinha (who shot Bhoot), composer Sandeep Chowta, was paid. People liked the movie and that gave me the confidence to continue making films,” remembers Lall, who since then has produced over 500 ad-films, one movie and two full seasons of a web-series.

“The best thing about this experience was that I could tell stories that I wanted, which was not possible in ad-film making.”

Lall’s next big break was Sooper se Ooper, which he produced in 2013 with Reliance Entertainment. However, he still regrets that the movie did not do as well commercially despite having a good script and some amazing performances.

“2013 was a terrible year. Most of the movies produced by Reliance had tanked. There was Besharam, Zanjeer 2. At one stage, Reliance was not even upbeat about releasing the movie. When it was released, it got a good response, but since the following week was the release of Krrish 3, it could not reach its full potential,” he says, candidly accepting that its failure set him back.

Big success came to Lall soon enough with Thinkistan, a story about changing dynamics of advertising in India in the late 1990s, when satellite TV helped advertisers find new reach. Told through the characters of English-speaking Hema and Hindi-speaking Amit, the series, released on MX Player, is like a love letter to the changing world of Indian advertising.

Lall says that Thinkistan is the story of India in transition in 1990s, told through the contrasting experiences of two advertising professionals, one English-speaking and urban, the other Hindi-speaking and coming from small-town India.

The show mirrors India’s evolution in the 21st century where more and more talent is coming from small-towns, where the likes of Piyush Pandey and Prasoon Joshi have elbowed-out big, established English copywriters and where Hindi is secure about its place in India and co-exists comfortably with English, adds Lall.

The immediate success of Thinkistan, however, has not taken Lall of his feet. Any other usual run-of-the-mill producer would have tried to cash-in on its success by making similar shows. Lall, on the contrary, is taking his time to find a truly inspiring idea.

“We were approached by multiple OTT players following the success of Thinkistan. However, I was clear that I do not want to do any regular, usual thriller, sex-comedy or family soap-opera. I am looking for a unique, big idea. I am in no rush to make just another ordinary show,” says Lall.   

Talking about the streaming platforms, Lall says it has definitely improved availability of funds for shows.

“OTT is here to say. However, its success and reach would depend on the quality of content offered,” quips Lall, who believes there is enough space for the more than 30 OTT players to co-exist in the expansive Indian market.

Lall also has no qualms in accepting that he writes and produces shows for a global audience.

“I do not belong to Hindustan, but a place called Thinkistan. My stories are based in India, but the emotions my characters deal with are universal, they cannot be limited to one particular time or society. I am making original, premium, web content for a global audience,” says Lall, adding that the coming of OTT platforms will help Indian content reach global audiences.

To an extent, this has already happened. The international Emmy awards this year definitely has an Indian footprint. Two Indian shows, Sacred Games and Lust Stories, are nominated for Best Drama.

“Indians have a natural talent for storytelling, even longer form storytelling. We gave the world Mahabarata, the world’s longest poem. If Indian producers are honest to their creative integrity, Indian content can truly reach a global audience.”

Talking about censorship on OTT, Lall says that while he is principally opposed to the idea of censorship, he is also honest enough to accept that some of the producers have used the freedom offered by OTT platforms irresponsibly by overdoing nudity and cuss words, even when it’s not required by the script.

“Not all of us are watching shows on mobiles. People are also watching shows on TV with families. And too much nudity is definitely a barrier in providing entertainment to this audience.”

He underlines that while everyone is cashing-in on nudity and violence, there is still some reluctance on the part of Indian producers to take up politically sensitive issues.

While Lall did not share specifics of his current projects, he did tell us that he is working on a show which tells the story of a product over 100 years, starting from the non-cooperation movement in the 1920s to 2019.

Asked about his personal favourite shows, Lall says that he likes the scripting of Family Man and Made in Heaven. In foreign shows, Fauda and Barry.

Having carved a niche space for himself as a producer of ad-films, web series and TV shows, Lall is currently in a happy space, where he is willing to wait and invest his time and energy in a truly inspiring idea, very much like the tag-line of his show Thinkistan – ‘Idea Jiska, India Uska’.

Latest Reads

Zee5 partners with XroadMedia to ramp up personalised user experience

KOLKATA: Zee5 has onboarded XroadMedia to ramp up its hyper-personalised Video on Demand offerings and social media services. Through this partnership, Zee5 will put to use XroadMedia’s innovative back-end solution, Ncanto, to provide multiple content discovery, recommendations and personalisation...

iWorld Over The Top Services
Disney+Hotstar thanks partner brands post IPL 2020

Disney+Hotstar has seen massive traction during IPL 2020, both in terms of audience as well as advertising. More than 300 brands leveraged the platform’s scale and reach during the tournament.

iWorld Over The Top Services
'Den of pirates': Why OTTs should tackle Telegram soon

There is no dearth of OTT platforms in India, and which one is the most popular is a matter of debate. But what is very evident is Telegram’s overwhelming popularity as an alternative to providing free access to any new movies or shows launched on these platforms.

iWorld Over The Top Services
SonyLIV onboards four sponsors for India-Australia series

KOLKATA: Since its rebranding, the India tour of Australia is the first major sporting event to be aired on SonyLIV. While the digital arm of Sony Pictures Networks India (SPNI) created quite a buzz on the back of its original content, it’s continuing to promote all its tentpole properties...

iWorld Over The Top Services
Ind-Aus tour: Facebook strikes digital content partnership with SPNI

KOLKATA: Facebook announced a digital content partnership with Sony Pictures Networks India (SPNI) for the Indian cricket team’s tour of Australia. Kickstarting on 27 November, the partnership will involve exclusive video-on-demand match content being showcased on Facebook Watch, the only social...

iWorld Over The Top Services
Lens of regulation is more important: Uday Shankar on OTT platforms

‘Will OTT platforms be put on leash?’ is the question being discussed and debated lately, especially after being brought under the ambit of the ministry of information and broadcasting (MIB).

iWorld Over The Top Services
Times Internet's transformation from media company to tech company

Digital disruption is reshaping the media and entertainment ecosystem at a rapid pace. As media companies adapt to the change, investment in technology is emerging as the need of the hour.

iWorld eNews
CAIT demands 7-day ban on Amazon for not indicating country of origin

NEW DELHI: Expressing dissatisfaction with the Rs 25,000 penalty levied on Amazon India by the ministry of consumer affairs, the Confederation of All India Traders (CAIT) has demanded a seven-day ban on the e-commerce giant for not providing the mandatory details of 'country of origin' on the...

iWorld e-commerce
Hits debuts on Jio

NEW DELHI: Hits, one of Asia's top English networks bringing the best of Hollywood and UK TV shows, will now be available to Jio users. It will be introduced as a value-added linear service on JioTV for mobile users as well as JioTV+ for JioFiber users.

iWorld Over The Top Services

Sign up for our Newsletter

subscribe for latest stories

* indicates required