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| Indiantelevision.com continues its look at the year that was with a status report on Subhash Chandra's Zee Telefilms. | |||||||||||||
| Zee'na' Isi Ka Naam Hai | |||||||||||||
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The off-the-record conversation was in a small room in the rather
more spartan office Zee had in South Delhi in those days. Chandra, who had loosened
his tie, was in an expansive mood and lit one of his trademark "bidis". He then
casually remarked: "How big a story will it be if we buy out Star from the existing
joint ventures and go it alone?" The jaws of one of the journos, who had also
borrowed a 'bidi' from Chandra, dropped and the 'bidi' fell on the carpet. "Watch
it, bhai," Chandra quipped, without showing any emotions, and added, "I am just
thinking aloud and trying to think big. Is such a thing possible?" Cut to 2002. Zee Telefilms (total revenue for FY 2001-02 ending March 31: Rs 10.76 billion) stood at the crossroads - reeling under the aftershocks of the disastrous relaunch of flagship Zee TV in August 2001that failed to perk up the TRPs or the market. The only positive seemed to be that having plunged so low, from here on, there was only one way to go - up!
It was in the midst of the doom and gloom at Zee TV that Chandra launched his biggest masterstroke of 2002 - the Playwin online lottery, initially with Sikkim state lotteries. By year-end he had added Karnataka and Maharashtra. And the money was rolling in. As the year drew to a close Playwin was generating Rs 200 million in revenues a week!
According to the industry grapevine, it was profits from Playwin that Chandra used for another audacious gamble in the second half of the year. That was the Thursday blockbuster film programming strategy. Soaps between Sunday and Wednesday, premiere the latest movies on Thursdays at prime time, celebrity shows on Fridays and events on Saturdays was a completely new programming matrix that Zee introduced. Rs 500 million is what Zee is reported to have sunk in for its movie acquisition plan. And
it delivered results. The 'Thursday premieres' ("Har Ghar Par Premiere") strategy,
and the snippets For a change, Zee also backed the ploy with the right sort of a communication strategy, an area where it had been hopelessly outclassed by the likes of Star and Sony in the past. The advertisement campaign for the Thursday premier films cost the company in the region of Rs 70-100 million, but it was worth it. Media buyers that indiantelevision.com spoke to said Zee TV was getting an average effective ad rate between Rs 75,000 to Rs 80,000 per 10 second spot when its movies were being telecast. Industry sources also indicated that ad secondage during the Thursday Premiere is just over 3,000 seconds and, therefore, it is reasonable to assume that Zee would be raking in around Rs 24 million in advertising per movie.
While the blockbuster movies strategy can be said to have delivered, the same
can't really be said for Zee's regular programming initiatives. It's a bit of
a paradox that while Zee has been consistent in its stand that the TRP data do
not properly reflect its viewership, especially when you travel a bit beyond the
"TRP" towns, plotlines of its new shows were clearly targeted at the city-centric
SEC A+B audience types. "Kittie Party, Lipstick, Love Story, are names that come
to mind as they appear to explore sexual politics in supposedly high society life.
Source: TAM Data There was also the personality driven show
"Jeena Isi Ka Naam Hai" that was doing fairly well but a change of anchors (from
Farooque Shaikh to Suresh Oberoi) and a lawsuit from two US based companies pulled
it back. The allegation was that the programme was copy of "This Is Your Life"
and it has been airing on American television since 1952.
One may say, so what? Even KBC was an Indianised version of Who Wants To Be A Millionaire? The difference of course being that Star had acquired the telecast rights from holder Celador to telecast KBC. There was also the motormouth Shekhar Suman's revamped and reworked version of Sony's Movers and Shakers that appeared on Zee in the Simply Shekhar avatar. None of the shows discussed have been able to crack
the Top 100 list as yet (one-offs do not count) and it will be left to the new
shows launching in the coming months to make that impact.
What led
to such optimism? Just about a year after group broadcasting CEO Sandeep Goyal's
gamble to throw up 24 new shows during Zee TV's relaunch in August 2001 fell flat,
promoter Subhash Chandra decided to take over the reins as chairman and managing
director and cobbled together a core team, including Zee TV president Apurva Purohit
and Yogesh Radhakrishnan (from ETC which had been taken over by Zee Telefilms),
that discussed and thought out life-saving strategies for the group and the flagship
channel. Goyal was also relieved of his post in the latter half of 2002, after
some comical denials.
Along with Chandra's direct entry
into day-to-day activities, Zee also saw the re-entry of Chandra's brothers, Jawahar
and Laxmi at Siti Cable and Zee News, respectively. The bad news for Zee in the distribution arena of course was that HBO exercised the pullout option at and defected to Sony from Turner in the New Year. Zee-Turner had its own riposte in successfully being able to woo CNBC India to its fold from Sony, though at hefty minimum guarantee. CNBC India will formally shift to the Zee-Turner fold after 31 March 2003. CAS' passage has also led to revision of subscription rates by various networks. Two days after CAS was okayed by Indian Parliament's Upper House, Zee-Turner announced a change in its pricing structure. Instituting what it called a "three layer dual pricing strategy", it hiked the subscription rates of its package from Rs 42 to Rs 50 for the complete bouquet of 16 channels, effective 1 January, 2003. However, the price will increase with every new addition of channels, Zee-Turner asserted. UK-based Realty TV is slated to join the Zee-Turner platform and test signals are on at the moment. Zee is also actively hunting for a replacement for HBO and Cinemax is the name that is being heard the most often. As far as the other channels are concerned, Zee Cinema, the Alpha regional channels and Zee News are doing well enough for themselves. So much so that Zee news is now talking of increased revenues and more offerings (Laxmi Goel says he is confident of Rs 700 million in ad revenues this fiscal.
International business is looking up especially
with the addition of ETC Punjabi to the bouquet as it is supposed to drive subscription
among Punjabi-speaking NRIs in the UK, US and Canada big time. The Padmalaya acquisition
is expected to help synergies in the south as well as boost the film making division
that Zee wants to expand after the super success of home production Gadar in 2001.
But the results will only reflect after sometime. Also read For more year-ender reports, click here
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