| Surely
the biggies of the Hindi general entertainment space have been channelising their
efforts to attract the kids segment. If Colors has been trying to capture the
small pops through its top-rated shows Balika Vadhu and Uttaran,
Zee TV is gearing up to use this arsenal in its new property Aap Ki Antara.
But has
this effort anyhow eaten into the viewership pie of the discerning bunch of little
champs, the kids' channels as a category? Not really!!! If 2008 saw the kids genre
close at a 13.78 per cent share (period Jan-May 2008, All India C&S 4-14),
the same period in 2009 (period Jan-May 2009, All India C&S 4-14) saw the
genre grow by 1.08 per cent. Kids
Genre Share % in 2009 | Month
| ALL
INDIA 09 | | Jan | 13.9 | |
Feb | 13.6 | |
Mar | 14.5 | |
Apr | 15.6 | May | 16.6 | Source:
TAM, C&S 4-14, All India |
Within
the category, again, there are a few transitions. While Cartoon Network still
continues to hold the fort, the channel has seen a slight dip of 0.4 per cent
in its market share for the period between January to May in 2009 as compared
to the same period last year. Sibling
channel Pogo too has surely managed to remain number two in the space. The channel
has also seen a rise in its market share from 20 per cent in 2008 to 22.8 per
cent in 2009. All
India Market | Channel | Jan |
Feb |
Mar |
Apr | May | Cartoon
Network | 29 | 26 | 27 | 24 | 23 | Pogo | 23 | 24 | 24 | 22 | 21 | |
Nick | 17 | 16 | 15 | 21 | 20 | Hungama | 14 | 15 | 17 | 14 | 18 | Jetix | 10 | 11 | 10 | 9 | 9 | Disney
| 7 | 7 | 7 | 9 | 8 | |
Spacetoon
Kids TV | 0 | 0 | 0 | 0 | 0 | Source:
TAM, C&S 4-14, All India |
HSM
Story Nevertheless,
when it comes to slicing the market further to concentrate on the HSM space, the
view is visibly different and new. While CN has seen a slight dip here too for
the same period over last (Jan - May 2008), it has been ousted for the first time
ever by new market leader Nick for the last two consecutive months. Nick has also
seen a 4.4 per cent upward swing in its market share, compared to 2008. So
what helped Nick emerge as the number one kids channel in the Hindi speaking market? "There
are a couple of factors that helped us attain this position. First, the Nicktoons
- characters that have helped Nick establish space and engagement with the kids
leading to an increase in the stickiness of the channel," says Nick India
SVP and GM Nina Elavia Jaipuria. "Second,
we have managed to take Nick beyond television, thus making it more tangible.
And I think we did that very successfully with our experimental 360 degree marketing
philosophy - we wanted to be in every place where children are," she adds. In
2009, CN, however, continues to remain above Nick at 23.4 per cent (Jan - May
2009). Pogo hasm meanwhile, climbed 4.6 per cent up over last year to garner 22
per cent market share. |
HSM
Market | Channel | Jan |
Feb |
Mar |
Apr | May | |
Nick | 22 | 20 | 18 | 25 | 25 | Hungama | 17 | 19 | 21 | 17 | 22 | Cartoon
Network | 27 | 25 | 25 | 21 | 20 | Pogo | 22 | 24 | 24 | 21 | 19 | Disney
| 8 | 8 | 8 | 10 | 10 | Jetix | 4 | 4 | 4 | 5 | 5 | |
Spacetoon
Kids TV | 0 | 0 | 0 | 0 | 0 | Source:
TAM, C&S 4-14, HSM |
While
there is definitely a Cartoon Network vs Nick tale here, there seems to be a new
contender creeping up the ladder to challenge the old bee. Latest
Tam data shows that Hungama TV, the kids channel for 4-14-year-olds which saw
a 8.8 per cent fall in its market share over last, has relocated to the number
two spot to push CN down the ladder for the month of May, 2009. Recently,
as part of its revamping strategy, the channel had introduced three new bands
during summer and infused new shows into the bands. And its quite evident that
the channel shored up its ratings post the change. The
channel had acquired two live action shows, Hatim from Star and Dharam Veer from
NDTV Imagine to put them under the action band, Dum Powder. The Trouble Soda band
features shows such as Doraemon and Ninjaboy Rantaro while Fun Gas showcases Shinchan
and Asari Chan.
Disney channel, meanwhile, has also exhibited an upward growth in its market share. Well,
indications are on that while competition is really getting fierce, competitors
are also putting their acts together to displace the winning feather from CN's
hat. So,
does CN foresee any collision ahead? Says
Turner International India vice president and deputy general manager - entertainment
networks, South Asia Monica Tata, "Cartoon Network and Pogo's relative shares
in HSM have grown this January-May 2009 to 45 per cent from 41 per cent in the
same period in 2008. These numbers are also a reflection of Turner's long term
vision and strategy for India that has paid rich dividends making Cartoon Network
and Pogo the most viewed and loved brands amongst kids in India. Not only kids,
but parents too give the highest endorsement to these two networks as their choice
for kids (per New Generations 2008)." "Besides,
we also enjoy the lion's share of the advertising pie. Increased competition has
not outstayed us from our leadership position in the last 13 years and that's
a merit/result of our focus on the long-term rather than short-term measures and
gains and a proof that we know and service our consumers best amongst all,"
Tata adds. South
Story Treading
the Southern path, CN indisputably continues to rule the region exhibiting its
leadership crown. Placing itself at the second spot, however, is not CN's sibling
channel Pogo, the second in command in the All India market, but Disney's Jetix
that is fed on action adventure content and targeted at only boys between the
age-group of 6-10. "Of
the two global channels (read Disney and Jetix), Jetix is a more defined channel.
We have made it available in four languages - English, Hindi, Tamil and Telugu,"
said Walt Disney Television International (India) senior vice president and managing
director Antoine Villeneuve earlier in an interview with Indiantelevision.com.
South
Market | Channel | Jan |
Feb |
Mar |
Apr | May | Cartoon
Network | 36 | 32 | 35 | 34 | 32 | Jetix | 27 | 32 | 30 | 26 | 30 | Pogo | 26 | 26 | 25 | 27 | 26 | Nikelodeon | 3 | 4 | 4 | 5 | 5 | Disney
| 4 | 3 | 4 | 4 | 3 | Hungama | 3 | 3 | 3 | 3 | 3 | Spacetoon
Kidss TV | 0 | 0 | 0 | 0 | 0 | Source:
TAM, C&S 4-14, South |
Advertising
and the kids' genre Advertising
growth came under pressure amid recession and clients and advertisers became cautious
about their ad spend. As a result kids channels were stressed to move to quarterly
deals with big advertisers, slash their ad rates and see some brands do a walk
out. Yet, in spite of all, the category saw its ad volume grow by 36.87 per cent
for the period from January to May 2009 over the same period last year. Period | Jan-May
08 | Jan-May
09 | AD
Volumes (Secs '000s) | 7726
| 10575 | Source:
TAM |
So
does this increase indicate that existing advertisers had increased their spots
across the kids channels while channels were unable to attracting new advertisers
during the recessionary period? "Not
really. Television is the cheapest medium to reach out to the masses. For every
other medium, there is an extra amount to be paid. Manufacturers understand this
and they have also recognised our growth. And, thus, even during recession we
have doubled our rates," says Nick's Nina Elavia Jaipuria. While
Nick claims that despite challenging times the channel quadrupled its sales revenue
as advertisers found value in what they offered, Cartoon Network was on course
to achieve its yearly targets. "We've
added more value for the advertisers with innovative and customised solutions.
For example, 'The Winning Secret' a contest specially created to build Boost's
association as the energy partner for the Rajasthan Royals that received over
84000 entries! And, 'Morning Shines', a customised pre-school programming block
specially packaged for Johnsons Baby Top-to-Toe Wash," says Tata. Apart
from traditional advertisers, broadcasters state that a lot of non-traditional
advertisers across sectors like FMCG, investment banks and durable products are
also eyeing this space. The rationale behind this, they feel, are an increase
in the co-viewing pattern and also the mere pester power of kids who have the
ability today to influence parent's decisions. "In
order to spend time with their kids, parents end up spending a lot of time on
the kids channels. Also, animation as a category is today appealing to adults.
Thus, a lot of co-viewing is taking place," explains Jaipuria.
Cartoon Network, meanwhile, claims that over 30 per cent of the channel's advertisers
reach out to its secondary audience (that is 15+) such as Procter & Gamble,
Gillette, Johnson & Johnson, Colgate Palmolive, Hindustan Unilevers, Reckitt
Benckiser, SC Johnson, Marico, Vodafone, Bharti Airtel, BSNL, LG Electronics,
Voltas, Whirlpool, Hitachi, Tata Tea and L'Oreal, amongst others. Says
Tata, "We have a robust portfolio of clients comprising both traditional
and non-traditional kids' marketers with over 165 clients between Cartoon Network
and Pogo. We are confident of further upping our non-traditional clientele, as
47 per cent of all viewership for the channels comes from CS 15+ audiences." Broadcasters
feel that the main factors that have led to the growth of the genre are localisation
of content, co-viewing pattern, pester power of kids and taking the medium beyond
the television space through licensing and merchandising, on-ground activities,
constant promotions, polls, votes and contests. Local
content adds a lot of local flavour to the content and therefore helps in increasing
the channels' stickiness. CN believes that the 20 Indian animation shows/features
playing on the channel have worked well for the channel. And its 2009 plan, therefore,
is to expand on Indian animation content. For Pogo too the focal point will be
to expand its original production. Similarly,
while Disney has managed to establish its brand connect with audiences through
its franchises, the ratings have been coming in from locally acquired live action
content. "There
has been an effect on ratings, but when it comes to a brand connect with the kids
it is with our franchise properties. The best example of this is Hanna Montana.
Our endeavour is to build a localised experience through Hanna Montana and our
other properties," says Villeneuve. All
said and done, industry believes that even though the category's viewership continues
to grow, even today it remains hugely under indexed. "As a result, in spite
of contributing 7 per cent to the total television viewership, it commands only
two per cent of the entire television ad revenue pie. This is because of the baggage
that the space has been carrying over the years where advertisers are used to
paying to the GECs," avers Jaipuria.
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