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Great Indian Discovery
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By
NIDHI JAIN
Posted on 10 January 2007
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The
first 'fully commissioned in India' programme for
Discovery - Indian
Rendezvous
- an idea incorporated by the team of producers/directors
Adi Dadabhoy, Ajit Oommen and Navieta Chawla of
Aaria Productions. They speak of the
experiences they had during the shoots and the challenges
involved in making a travel series for an international
audience.
What
did you do differently to try and give international
audiences more than what's shown in the best of travel
programs, guide, sites?
We
were looking more at a slice of life experience. Since
every city has a unique personality, we tried to reflect
the character of each city. Mumbai, we showed the
frenetic pace of life, Bangalore with a chilled out
atmosphere, Hyderabad about Nawabi culture. Per se
Discovery was not looking at new things, but at something
to highlight each city interestingly for the travelers
and also the people belonging to that city. Like everybody
knew about polo in Hyderabad but were not aware about
arena polo. Or when a man spoke about 200-300 models
of aeroplanes, how he takes planes from arena to runway,
for director/anchor Nagesh Kukunoor it was a great
experience.
With
every city we mixed the already known with the unknown,
to cater to markets in India and abroad. Likewise
actor/anchor Konkana Sen Sharma had never done tea
tasting so she was taken to the oldest tea houses
in Kolkata where she actually went through the process
of tasting. The whole idea was to portray an India
which is modern.
India
is always projected for its historic beauty, did you
want to give it a new western feel, reflecting a global
India?
We
did a recce, traveled to all cities, gathered information,
had 25 topics to discuss per city, passed over to
Discovery. We also had inputs from the respective
anchors of different cities. The channel wanted us
to portray India being a financial hub, an emerging
country and also include key areas like Bollywood.
We were asked to focus on history of Delhi, moving
to street food, ballooning melas etc. Sarod player/anchor
Ayaan Ali Bangash had never been to ballooning club
of India. We clubbed sports culture with every city.
Representative
celebrities were not well versed with their own cities,
in spite they being hardcore city bred...
It
is natural that people living in their own city are
not thoroughly well versed about them. People didn't
know that Delhi is the advente capital of India. Like
in Mumbai we showed CCI cricket, spoke about Jazz
and Louis Banks. In Bangalore Singer/actor/anchor
Vansundra Das discovered Joe Bikers where every weekend
bikers go for trips and their wives follow them. For
Vasundhra Das it was a big rush.
Why only
one series per city when there is so much to explore?
Definitely
Konkana Sen's mother had done 34 series on Kolkatta,
there is no end to discovery, the show was meant to
be fast and breezy. When we started the topic with
Koli fisherman, the whole focus gave city a different
light, not being negative. Shining India was the tagline.
What
made Discovery choose them...
We
were competing with UTV. While giving the tenders,
we simultaneously gave concepts, and got short listed
and made the pilot programme in July 2004. The rains
became our lucky mascot.
Selection
of Celeb... New Delhi with sarod player Ayaan Ali
Khan, Mumbai with model Sushama Reddy, Bangalore with
singer / actor Vasundhra Das, Chennai with actor /
model Meera Vasudevan, Hyderabad with director Nagesh
Kukunoor and Kolkata with actor Konkona Sen.
Since
it was conceived as a youthful, peppy show, we chose
anchors from different fields with different cities.
Like Aman had spunkiness and Tehzeeb. Comfort level
between interviewee and interviewer was taken care
of by the anchors themselves. We gave a wish list
of five anchors per city to the Channel. Nagesh, being
a director himself, understood what we were looking
at. To make show more interesting he popped up with
ideas since he knew what goes on at other side of
fence.
Time
spent to shoot in each city...
We
shot 9 days per city. In Kolkata during shoots, daylight
was a constant problem. The Hyderabad shoot had no
hitches. A lot of things were lost because of Tsunami
on Marine Beach in Chennai. In Delhi it was the Lajpat
Nagar Blast, one of the first that Delhi viewed and
suffered.
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