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Sahara's latest offering, produced by Boney Kapoor,
Malini Iyer ushers in a different genre of
programming. A comedy with an emotional undercurrent
complete with the Sahara brand of opulence.
Launching on 19 January at 9 pm, the bi-weekly marks
the television debut of Superstar Sridevi, who is
back in the limelight after a six-year hiatus.
First
things first, the writer seems to have done his job
well. Not only does the show have its humour quotient
intact, it also manages to get the correct emotion
mix and the right momentum to keep the viewer glued
till the last scene.
In
an era, where most makers focus on gimmicks rather
than a good story, Malini Iyer seems to stand
out as an exception. Here's a serial that's refreshingly
different from the rest of the fare on the small screen.
The focus is clearly on content, and not on performing
endless poojas, rituals, and extreme get ups,
atrocious facial expressions, never-ending plotting
or constant bitching sessions.
Produced
by Boney Kapoor (Sridevi's husband), the serial is
co-directed by Satish Kaushik, Sanjay Chhel, Sushma
Ahuja, Nikhil Syani and Manjul Sinha.
Don't
go by the inaugural episode though. Latter episodes
do not follow the mediocre launch's footsteps. The
story is about a Punjabi family - Sabarwal - with
Vijay Kashyap and Sushma Ahuja playing the patriarch
and matriarch respectively. The family fortunes are
built up on Daddyji's (Kashyap) automobile business.
Sadly, his sons aren't keen on lending their father
a helping hand. The elder one (Vinay Pathak) is addicted
to gambling, the second son (Mahesh Thakur) aspires
to graduate from being the twelfth man in the cricket
team to being selected in the final eleven, and the
youngest one (Kamlesh) dreams of being a film star.
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Speaking
about the histrionics of the leading characters, the
jokes cracked by Daddyji have a knack of getting on
the nerves, while the three sons appear quite lost.
But just when you are contemplating on writing off
this show as a loud and nonsensical comedy, enters
Sridevi AKA Malini Iyer nee Sabarwal... and she lights
up the screen completely and all the creases are flattened
out. As if on cue, other actors start upping their
respective performances. Such is the magical presence
of the actress, who has thankfully not lost her zing
for comedy.
Sridevi's
mannerisms and dialogue-delivery are as superb and
spontaneous as ever. It needs some scratching of the
memory cells to recall that it has been about a decade
since she reigned over Bollywood. Her return to the
arc lights have certainly been seamless. She knows
exactly what the shot requires. She doesn't underplay
and neither does she go over the top.
"Once
the camera rolls, Sridevi just lets herself go. Off
the camera she is reserved, but once the shoot begins
there is a complete transformation," remarked
Tanushree who plays Vinay Pathak's wife and Malini
Iyer's sister-in-law.
Going
back to the script. Mahesh Thakur has married a South
Indian girl, Sridevi, without his parents' knowledge,
but they welcome her with open arms. Her entry scene
is obviously dramatised complete with the 'paaye
lagus', 'diyas' and 'aartis', but that's
about it. The show is about how the family keeps getting
into difficult situations and this bahu bails them
out every time, and while doing the good deed also
imparts some moral thoughts for them to ponder upon.
In
one such situation is a gang-lord played by Manoj
Joshi (Mayor Saab of Kehta Hai Dil fame) bullying
the Sabarwal family to give their house over to his
possession. The act where Malini Iyer tames the gang-lord
is a scene worth recommending.
While the premise may be about a lady and her family,
the show is episodic in nature. A particular story completes
in two or three episodes.
The
idea is not just to make you laugh or cry, but to
make you think. Take the gang-lord episode for instance,
the teaching clearly indicates that even today in
the times of violence and bloodshed, love can win
over anybody.
Sridevi
has done full justice to her role. It is a beautiful
role of a woman who loves the family she is married
into, yet will not give up her identity. Plus, she
fights all the obstacles in life in a no-nonsense
manner. Thus, making Malini Iyer a good mix of Tulsi
and Rajni.
On
occasions, she may start rambling in Tamil especially
when she is overjoyed or livid, but before these become
too long, she packs a punch in English. Remember the
promos - B.A. in Tamil, jisme English bhi shaamil...?
Will
Sridevi succeed, where Karisma Kapoor failed? While
there is definitely no parallel between the acting
skills of Sridevi and Karishma, the show clearly is
better one in terms of content and performances.
Although
it is his maiden television venture, Boney Kapoor
seems to have created an engrossing fare. The only
hitch could be the popularity (or rather lack of it)
of the channel. But 'Malini Iyer' could easily be
the first solid helping hand that Sahara is desperately
seeking.
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