He's the man Amitabh Bachchan speaks exclusively to, and the one who has the ear of many veteran television personalities. Subhash K Jha, whose acerbic commentary on Bollywood has enthralled readers for years, will now feature a regular column on indiantelevision.com. Jha will cast his critical eye on the small screen, appreciating the good, criticising the bad and castigating the ugly... Stay tuned for a regular review of programming that peppers the small screen in India:
Sparks flying high in soaps
(Posted on 30 January 2004)

The stakes are getting higher. And serials are becoming progressively sweaty. Action is the key. And the sparks are flying high… sometimes literally. In Star’s Sara Akaash, the airforce pilots are into heavy-duty action. Monica has been captured by "our enemies" (presumably Pakistan). Her dad, Kiran Kumar, who plays a senior pilot tearfully watched the video recording of his daughter sent by the hostage’s host.

There was no audio in the message. That in itself was a blessing considering how noisy the average serial tends to be. But wait. Papa Kiran Kumar could read Monica's lips as they mumbled inaudibly on the television screen. "She's trying to communicate with me in sign language… I know where they've hidden her. Let's prepare for her rescue.."

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The ever so unhappy Kkusum

If only real life was more about clutter than chaos! The soaps tend to arrange the lives of its characters in a tumultuous but manageable pyramid of pain. The whole exercise in marital rivalry between Kkusum and Mahi, the two women in Abhay (Anuj Saxena)'s life in Sony's Kkusum came to a glamorous head last week when the two ladies confronted one another amidst a flutter of drying clothes (ooh talk about a clothes shave!) like Jaya Bachchan and Rekha in the film Silsila.

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I like the way Ekta Kapoor uses Hindi film songs on the soap's soundtrack. Himesh Reshamiyya's Tere Naam track with new lyrics, plays a pivotal part in the goings-on. The girl who plays Mahi, Poonam Nirula, is able to express pain better than most of her colleagues on Kkusum.

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There isn't much to drive off the pain on Star's Kahin To Hoga. Last week, at a wedding, actress Dolly Bhindra gave such a broad performance as Punjabi bua, our TV screens nearly cracked open at the seams.

Take it easy, lady! I know it's important to be noticed on the small screen. But let's not get so carried away that we turn the soaps into veritable vaudevilles. Moving on to Sab TV's Sahib Bibi Ke Ghulam and see the talented Anjan Shrivastava sporting flaming-red trousers and flirting with a floozie in full farcical form is just not my idea of a laugh.

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Is Shekhar Suman carrying on well?

Gosh, what about the aesthetics of the home-viewing process? The other night I saw a bevy of ungainly dancers prancing on Sab TV's Carry On Shekhar. The interview was with the choreographer of a raunchy remix. The guests on Carry On Shekhar are plumbing new depths of mediocrity. While the original Jay Leno invites Madonna and Tom Cruise, Shekhar Suman gets the choreographer of remixes and other fringe people.

Maybe there's an acute shortage of celebrities on television. Hence we've the same set of stars and politicians cruising from show to show, saying the same things.

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Zee's Jeena Issi Ka Naam Hai took a break from Bollywood stars and got us a journalist-filmmaker. Khalid Mohamed didn't have too many stars coming to talk about him on the show. That could be because he's no longer the star name that he used to be as the film critic of The Times of India. Whoever came for Khalid (and that included M F Husain) or sent messages (Amitabh Bachchan, Shabana Azmi) did it with feeling.

No empty noises here. All of last week the most visible face on television was the BJP representative Mukhtar Abbas Naqvi who, poor guy, had to face the music for comments on Rahul and Priyanka Gandhi made by fellow- politician Pramod Mahajan. I saw Naqvi manfully defending himself on Sab TV's Kuch Khaas Baatein. Then during a live debate on Aaj Tak he came up with a gem of a punchline about BJP's "feelgood factor" being combated by the Congress' "family tractor."

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Cezanne Khan... Mr Confused ?!

Gosh, what an actor! Sure puts some of the mousy performers on the soaps in the shade. Cezanne Khan who plays Anurag Basu in Star's Kausauti Zindagi Kay is the worst offender. His inability to cope with the dramatic confusions of his character shows up quite clearly in the soap. Last week he was on his honeymoon with his second wife at a frosty hillstation where snow fell in cottony flakes. Quite a cotton-dried serial, this!

Aparna and Anurag fought over a tie she had bought. She rushed out and sobbed in the 'snow'. He drank himself silly while the hotel receptionist looked more involved in the proceedings than we ever could!

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The petite & pretty bahu vis-à-vis the loud mouth screechy saas

Another stormy soap which is rapidly reaching the brink in is Star's Kehta Hai Dil. Must say the actress who plays the protagonist Karisma is pretty and watchable. But beyond this pretty and watchable sight there's her horrific mother-in-law. Grusha Kapoor plays the role with a screechy hysteria that cuts through the primetime mood of relaxation. Last week her husband lunged for her throat for causing all the confusion and chaos in their bahu's life. A bit late in the day, no?

On Star's Sanjivani, Simran stormed into the comatose Aman's bedside and tried to remove his life-preserving apparatus. Makes us wonder about the life-savers which are constantly rejuvenating this dead serial about two women warring over a wimpish indecisive doctor who spends more time agonising about his love life than saving lives in the hospital.

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Let's have the soaps' playing-time restricted to a manageable threshold before they lose their focus completely. Sahara has wisely decided to wind up the whiny squeaky daily Aarzo Hai Tu and replace it with a loud and aggressive Kiran Kumar-helmed soap which would at least startle viewers awake.

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Breath of fresh air... or is it too soon to comment??

No matter what the standard of the sitcom, Malini Iyer has infused life into Sahara's prime time. Sridevi's maun vrat episode on Tuesday had the nation staring speechlessly at her super-expressive face for signs and signals of animated communication. When by sign, she explained to her brother-in-law about the film Roop Ki Rani Choron Ka Raja he excitedly commented, "Oh, a superhit film!"

Sridevi made a pouty thumbs-down signal. A sporting reference to her disastrous big-screen outing with her husband producer Boney Kapoor and director Satish Kaushik. At least the team knows how to laugh at itself. Our laughter can only follow.

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(The views expressed here are those of the author and indiantelevision.com need not necessarily subscribe to the same)

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