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No end to sensationalism on news channels
(Posted on 16 October 2004)

It’s said that the camera never lies. Wish the same could be said about those who come on them. "The Bachchans Versus The Gandhis' story was created completely out of thin air, as we could see when NDTV very kindly showed us footage of Rahul Gandhi being questioned on the ‘betrayal’ issue.

There he was, dimples directed to the TV cameras saying, “The public knows who betrayed whom.”

That’s it! The next morning’s newspapers screamed the dread-lines. The very same day Bachchan reached Varanasi to shoot for a film. The news channels just wanted their share of the dope. Off they trotted to get him to say something naughty.

After Lataji’s birthday Bachchan’s reactions to Rahul Gandhi’s apparent insult was the most sought-after ‘event’ on television. I lost count of how many news channels I saw AB give that ‘raja-runk’ quote to. It was apparent that he was being pushed into a corner.

Earlier it was up to the tabloids to convert non-issues into juicy sensational stories. Now we have news channels, forever on the look-out for shockers specially those involving glamorous people. Non-stories are often turned into primetime menu-toppers. Aaj Tak even dug up an old interview with Bachchan on Seedhi Baat, where Prabhu Chawla questioned the star about his relationship with the Gandhi family.

The fact that the "sabse tez" channel had to resort to archival material to support its hot news story just goes to prove there was no hot new story in the thirst place.

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Hot and new was Brett Lee on Simi Garewal’s Rendezvous. Lee’s face lit up as though he had just spotted Preity Zinta. No she wasn’t around. Though naughty mentions were made of Lee’s penchant for dimples (from Rahul to Preity, elegant cheek is what the dishy antennas were sending into our homes this week) it was Bachchan (again!) whose name brought a smile to the Aussie in India.

Lee described the Bachchan as a “beauty” and a legend. He then fished out his guitar and sang for Simi, first a few snatches of A R Rahman’s Muqabla (with Laila pronounced as ‘Lay-la’) and then a full song sung with glamorous gusto.

Just one question. Why was Lee comparing a wife to a grand piano? I agree he wanted to make a point about the permanence of a marital alliance? But a piano? Please! The key was all wrong.

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All keyed-up is how all the characters on Star’s Kyunkii Saas Bhi Kabhi Bahu Thi have become. I hope the kids were tucked away safely from their range of vision. Because there was a prolonged, ahem ahem, rape in a hotel room.

Did it have to go on for nearly ten minutes of shlokas on the soundtrack with mother-in-law Tulsi banging on the door incessantly while daughter-in-law Nandini is manhandled by Ansh. And then later he tells his sweet and supportive mom to go fly a kite and even raised his hand to hit her!

Kid this be true???!!! All this was extremely harrowing and unsavoury, far from the family values that Ekta Kapoor’s soaps once promised.

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But then the norms and yardsticks of TV entertainment are changing fast. This week the notorious Item Bomb contest hosted in Mumbai to choose a sizzler for Sanjay Gupta’s Musafir was telecast on MTV.

Frankly, I was aghast at the desperation of these girls. Accompanied by pushy mothers the contestants were all of a very poor quality. And I really can’t blame the judges at the semi-finals for failing to hide their disdain when the ungainly and unbecoming girls gyrated to a music that seemed to blare in defiance to their aspirations.

One overwrought girl told a judge that she was known as the Mallika Sherawat of her locality and that boys ran after her calling out the star’s name. “What do you think?” she rounded off her meandering monologue.

“Best of luck!” the judged retorted contemptuously.

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The question I want to ask is, why were the girls subjected to this humiliation? Why weren’t they asked to politely leave before being degraded on camera?

Zee’s India’s Best is another of those talent-hunts that border on a witch hunt. How does it feel when hard-working starry-eyed aspirants are knocked off the list publicly? I really liked judge Javed Akhtar’s comments on Friday night when he said today’s wannabes have to work on their pronunciations.

They sure do. I had no quibbles with their joie de vivre , though. I loved the way the wannabe couples supported one another. It was almost like they believed more in their partner than in themselves.

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Star News did a much publicised expose on the film industry’s casting couch in their crime investigation section. Frankly it turned out to be much ado about nothing. A girl in a blurred focus told us the rates that were charged for sleeping partners in the industry. This was supposed to shock us out of our wits.

Girls sleeping around for roles? Yawn! Give me the History Channel any day. I loved the truly heartwarming Biography on Christopher Reeve on Thursday night. Reeve’s life was profiled with rare care. The next night there was an equally brilliant profile of actor Tom Hanks.

There’s only one problem with the Biography sections. They all SOUND strange. The entire commentary was re-done replete with the voices, intonations and exclamations of Reeve and Hanks very poorly replicated by a superimposed voice-over.

Now, enlighten me, please. But why on earth would non-English speaking viewers be glued to profiles of Hollywood actors? And if only the urban audience is watching Biography then whom are the profiles dubbed into Hindi for?

(The views expressed here are those of the author and indiantelevision.com need not necessarily subscribe to the same)

picture courtesy: www.rediff.com, www.planetbollywood.com
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