He's the man Amitabh Bachchan speaks exclusively to, and the one who has the ear of many veteran television personalities. Subhash K Jha, whose acerbic commentary on Bollywood has enthralled readers for years, will now feature a regular column on indiantelevision.com. Jha will cast his critical eye on the small screen, appreciating the good, criticising the bad and castigating the ugly... Stay tuned for a regular review of programming that peppers the small screen in India:
Sobs and Soaps
(Posted on 4 September 2004)
Moroseness personified!

A recent nebulous statistical survey reveals that not an episode of Kyunkii Saas Bhi Kabhi Bahu Thi passes without Tulsi depleting the glycerin industry. Yup, come rain or shine Tulsi must let the tear ducts flow.

In fact the are punters betting on the day when she’d surprise them by not letting it all ‘pang’ out. Chances are, they’d be disappointed. Tulsi and tears have almost become synonymous.

So what’s the magical formula for the success of Tulsi’s tear ducts? Right now it’s her husband’s illegitimate son Karan who has become the bone of contention with her husband Mihir. “I looked after his son like my own. And now he has defied me for that very offspring’s sake,” she sobbed last week.

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Warring defiant progenies are a huge turn-on in the soaps these days. What do we say about Zee’s Kittie Party where all laws of parental purity are being joyously subverted? A girl called Lolo is desperately trying to get rid of her immoral mother (played with lipsmacking immorality by Kunika) and find legitimacy in ‘high’ society.

The other night the wanton mother escaped from jail and turned up in her daughter’s house pleading to be put up for one night of “chayan ki neend” (peaceful sleep).

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Unconsciously the sequence reversed the parental equation. It’s the mother asking for a resting place in the daughter’s portion of paradise.

Such moments don’t fall into our laps easily as we sit indifferently on the couch. They have to be ferreted out.

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Nowadays I’m enjoying the passionate pain of a haveli falling into ruins in Sahara’s Sahib Bibi Ghulam. Though Raveena Tandon is dressed a little too elegantly to pass off as a drunken woman on the decline, there are moments of great dramatic reckoning in the original novel, happily rendered at a tragic crescendo in the series.

When last week the faithful family servant pleaded with her not to drink and then fell at her feet for being so audacious as to rebuke his 'malkin' we realised that the moment was magic because there isn’t much of that happening on television.

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Star Utsav is the channel that brings us all the Star goodies that you may have missed when the channel turned the corner three years ago. What I find interesting is to compare what the TV actors did then with what they do now. Mouli Ganguly (Jaaba in Sahib Bibi Ghulam), Sudha Chandran (Kiran Kumar’s wife in Sahara’s maelstrom Zameen Se Aasman Tak) and Hiten Tejwani (Mihir’s illegitimate offspring Karan in Kyunkii...) are all there together in Kahiin Kissi Roz, Ekta Kapoor’s first thriller of a soap.

I must say all three have come to grips with the grammar of television over the years. Some TV actors move on. Vikas Sethi who starred as one of the campus dudes on now-defunct Kyun Hota Hai Payar has given up television. “Too much time and too little money and recognition,” he says. Sethi has been signed to play the main villain in a film being produced by Mukesh Bhatt.

On the other hand Jas Arora who starred opposite Kajol (no less!) in the film Dushman is now a part of the bulging cast in Zee’s appalling whodunit Tamanna House.

Will they? Won't they?

Let’s not undermine what television can do to an actor. ‘Jassi’ Mona Singh is now a household name and a face on a stamp. Now when Jassi Jaissi Koi Nahin enters the second year I can’t see it going anywhere. At the moment I know Jassi loves her ‘Armaan Sir’ (played by another big-screen reject Apoorva Agnihotri) and has also discovered that Purab (played by Samir Soni, a Raj Kumar Santoshi discovery who starred in the directors China Gate and in Lajja opposite Madhuri Dixit) is not a bad sort after all. Hence the soap would now create a quadrangle with ‘Jassi’ and ‘Arman Sir’ wavering between Samir Soni and Rakshanda Khan, respectively.

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This can go on forever. And that isn’t a good sign for the soap. A lack of coherent storyline is again the bane of Zee’s newly introduced Reth. Ankur Nayyar who looks so much like Vivek Oberoi, plays a man whose wife Jiya has undergone a personal trauma. And now his mom egged on by an evil Bua wanted the wife to undergo shuddhi (purification) pooja.

Shekhar walked in just in time, fumed and told the pundit to get lost. This could be read as a sign of progressive serial- making in other circumstances. Here, it’s just the scriptwriter trying to create some shock out of a situation that’s inherently deadmeat. At this Reth….er, rate it shall soon be time for checkmate.

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Strange are the ways of television. A serious issue such as showbiz girls being able to look after their own financial interests was reduced to a mockery when at a party on Wednesday night Zee News thrust a microphone into the faces of star-daughters to ask what they did with their money.

Is a get-together of this sort the right occasion to discuss such sensitive topics? To their credit the ladies Poonam Dhillon, Kunika, Suchitra Pillai and, surprisingly, Hema Malini answered the question gracefully and diplomatically.

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Heard of two-in-one interviews? NDTV invited director Ken Ghosh for a discussion on censorship and then he stayed back to discuss whether his new film Fida had fizzled out. We should all pray that Ghosh makes a hit film next time. He wouldn’t have so much time for TV discussions.

NDTV hosted a thought provoking debate on Mumbai Live. The topic? Should films and soaps on television be censored? Censor chief Anupam Kher sounded guarded. When the voice of skepticism Ken Ghosh wondered who would decide how high the skirt should be hitched, Kher piped in, “Let’s not pretend about this. We all know exactly how high or low the skirt should go.”

Ouch! Kanta lagaa……

(The views expressed here are those of the author and indiantelevision.com need not necessarily subscribe to the same)

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