He's the man Amitabh Bachchan speaks exclusively to, and the one who has the ear of many veteran television personalities. Subhash K Jha, whose acerbic commentary on Bollywood has enthralled readers for years, will now feature a regular column on indiantelevision.com. Jha will cast his critical eye on the small screen, appreciating the good, criticising the bad and castigating the ugly... Stay tuned for a regular review of programming that peppers the small screen in India:
Telly talk shows on a roll
(Posted on 12 June 2004)

What do we do with our social conscience? On television it seems we’re destined to have shows which question our level of commitment without really getting out of the drawing-roomy feeling.

That’s why I like watching Smriti Z Iraani on Sab TV's Kuch Diil Se where at 11 pm (what’it owl about!) she addresses social issues without stumbling over the practical hurdles, like traumatised guests who could burst into tears at any moment. For a reality-based show there’s very little tears on Kuch Diil Se. That’s because the hostess saves all her theatrics for her star-vehicle.

Iraani’s election defeat hasn’t taken the shine from her image of the small-screen Shabana Azmi (what Priya Tendulkar used to be long ago). For an ad that Juhi Chawla has done promoting a salted snack, she poses as Tulsi in Kyunkii Saas Bhi Kabhi Bahu Thi, humouring her 'asli' Mihir (Amar Upadhyay) as well as campaigning to be a politician.

I can’t remember a big film star ever ‘playing’ a TV character before, and that too in an ad.

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On Kyunkii... the TRPs remain steady only when Tulsi weeps. Or else it falls flat. But on Kuch Diil Se restrain is the key. I loved Smriti’s interview with the lady called Ratna who had spent all her years since the age of four in a hostel.

How does hostel life change one’s perspective, specially a girl like Ratna who said she was packed off because a "gora - chitta" brother was born soon after her, and parents couldn’t cope with both.

The insights in the mind of a woman who had been shunned by her own flesh and blood was amazing. We were looking simultaneously at a woman scorned and two women relating to each other as sisters. It was a wonderful view, surprisingly shorn of theatrics and affectation.

I’d give Simi Garewal 95 out of a 100 for her fabulous tête-à-tête with Rekha on Star World’s Rendezvous With Simi Garewal. Rekha came across as the most stunning diva ever to grace the small screen. Don’t forget, this was her first TV interview in 20 years and her second in all her life!

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That’s right. Rekha is never seen on TV promoting her films, giving soundbytes. That explains why she’s maintained an aura of exclusivity while other so-called great actresses have come and gone.

Even Madhuri Dixit and Sridevi lowered their star status by doing television. Madhuri’s match-making show on Sony Kahin Na Kahin Koi Hai and Sridevi’s current sitcom Malini Iyer eroded the aura.

But Rekha on Rendezvous... elevated the stature of the home-viewing medium. Suddenly the 28-inch screen blew up into a 70 mm experience. Days after her semi-maiden appearance viewers are discussing her clothes, jewellery, demeanour and most of all, her words, flowing in a fast but never furious stream of consciousness, creating a world of whispered memories and recalled ruminations.

Simi had cleverly arranged for footage of Rekha’s first TV interview (coincidentally conducted by Simi on It’s A Woman’s World). Twenty years had passed. But Rekha looked almost the same! In fact young actor Nakul Vaid rightly observed, "When footage from It’s A Woman’s World was shown, Rekha looked slightly plump. She looks even better now."

Beyond the looks, there was a view into the life of a woman who had… well, been there seen it all. The image of a plump 13-year old blossoming into a diva was given verbal and visual shape. Said Rekha, "I’d go on starvation diets to lose weight… eat only popcorn."

"That’s not the way to do it," Simi shook her head knowingly. The two women related as two colleagues and two women of the world creating a world that was wonderfully adventurous glamorous and glittering with fond recollections.

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It was a memorable evening. We don’t get too many of those, certainly not on the soaps. The afternoon serials have turned bizarre. In Star’s Bhabhi the protagonist Saroj is all set to marry Sumit who’s played by Mukul Dev. Brother of big-screen villain Rahul Dev, Mukul Dev once has starry aspirations until they all dissolved on the boob tube. Today he’s content doing the random sitcom or soap.

Bhabhi of course is funnier than any sitcom. Last week Saroj and Sumeet did a wet rain dance. They tried to look as though they were in the throes of ecstacy. Instead they resembled two kangaroos hopping across a soggy hinterland.

Really, when would our soaps cease to be filmy? And the melodrama! Ooof it’s unbearably loud. Kkusum’s daughter in the soap of the same name is pregnant. This means mama Kkusum had to do the slapping-hysterics act. The actress who plays Kkusum (Manasi Joshi) really let herself go. The soundtrack was filled with furious slapping sounds as the lady blew hot and cold.

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What a blow to subtlety. Star’s immensely popular Des Mein Nikla Hoga Chand has moved forward by one whole generation. That means it’s done with Amar Upadhyay and Sangeeta Ghosh (who can now sign other soaps for small screen sustenance). But TV veteran Neena Gupta is now part of the rather complicated family tree. As soon as I figure it out I’ll tell you who’s who, and why.

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MTV has gone desi! On Sunday I saw two anchors interviewing Farhan Akhtar (with his trademark hairband) and Hrithik Roshan (without) in Hindi. The jokes which included Farhan repeatedly interrupting Hrithik with his wisecracks and funny faces lost their flavour in translation.

Big Picture ko bada tasveer banana asaan nahin, mere MTV wale bhai log.

(The views expressed here are those of the author and indiantelevision.com need not necessarily subscribe to the same)

picture courtesy: www.star.co.in, www.bollyvista.com
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