He's the man Amitabh Bachchan speaks exclusively to, and the one who has the ear of many veteran television personalities. Subhash K Jha, whose acerbic commentary on Bollywood has enthralled readers for years, will now feature a regular column on indiantelevision.com. Jha will cast his critical eye on the small screen, appreciating the good, criticising the bad and castigating the ugly... Stay tuned for a regular review of programming that peppers the small screen in India:
Singing a different tune
(Posted on 20 March 2004)

There she was, the queen of all she sur-weighed. Ladies and gentleman, Pallavi Joshi… singing the melody 'Choo kar mere man ko' on Zee's Antakshari. While her co-host Anu Kapoor has turned progressively skittish on this long-running participative show (last week, among collegians, Kapoor behaved as though he was pretending to be high on some unknown drug, and failing miserably) Pallavi has preserved a dignity of deportment all the way.

Family matters

Minutes after Antakshari on Friday, I watched the actress do the housewife's routine with restrained elan on Ekta Kapoor's new and different soap Kkehna Hai Kuch Mujhko. This isn't the first time she's playing a disillusioned housewife. But this wife is very different from the one on Ajai Sinha's Justujoo, more upmarket and yet very home-bound. House-proud and family-oriented.

From the opening episode where Rewa (Joshi) stands outside her own home waiting for the rest of the family to bring the key (an innocuous occurrence that shall assume an ominous hue in the light of Rewa's eventual disenchantment), the serial stands out for its mature dialogues and unstrained performances.

Of course as in all the soaps about the housewife's spiritual emancipation the male protagonist ends up looking small caddish and inadequate. Remember Harsh Chhaya in Justujoo and Varun Bandola in the more recent Astitva? Now in Kkehna Hai Kuch Mujhko, Kiran Karmarkar (how lucky by televisionary standards to have two Ks in his name!) struggles to give shape to that nebulous entity in woman-oriented serials known as the "Wrongful Husband."

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Cruel Intentions

Doing a Jim Carrey: It's hard to be sympathetic and true to a grey character on television. Aman Varma and Mohnish Behl have turned into gesticulating contortionists on Sony's Devi. They make so many faces that you wonder if they're hoping to be noticed by one of the political parties for electioneering campaigns.

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The pot calling the kettle black: The name-calling game during this slippery season at the ballots is becoming hard to bear. On Friday night NDTV did a story on the brackish back and forth of 'hoarse' trading among the BJP and Congress. It came as a shock to hear all our illustrious politicians attacking one lady with such vehemence.

Somehow the strong woman weathering a storm of vituperatives reminded me of Pallavi Joshi in Kkehna Hai Kuch Mujhko. Have the news and fiction channels become interchangeable in perception?

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Games the newsmen play: The current-affairs slots are certainly becoming playful. On BBC's Question Time India after anchor Dilip Padgaonkar and his guest commentator Vinod Mehta had finished discussing the importance of the Hurriyat leadership in Kashmir they suddenly began to discuss which two cricketers India would like to borrow from Pakistan.

Watching the politicians trying to answer that sporty poser in the most politically correct lingo was a relief... at least politicians are capable of a sense of humour.

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Along came Polly

Heart felt: There was a lot of laughter on Zee's Jeena Issi Ka Naam Hai when Rani Mukherjee, on the night before her birthday, came to the show with her family friends and colleagues. We were taken through Rani's journey from childhood through school to adulthood. One lingering image from the warm tete-a-tete was that of composer Bappi Lahiri's daughter and Rani dancing as children to a Bappi Lahiri tune on stage. "The one doing her own thing on stage is Rani," chortled anchor Farouq Shaikh.

As usual Karan Johar stole the show. Instead of flattering the star the way most guests on the show do Karan curled his lips with characteristic causticity to say that he doesn't accept a single suggestion that Rani pours on him during shooting and that she should stop being pally with everyone.

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Pakistani Sufi singer Abida Parveen

Music for soul: I feel music can do more to heal the wounds across the border than sports. It was so good to see the Pakistani Sufi singer Abida Parveen back on Zee's Sa Re Ga Ma Pa. Expressing her obvious fondness for Hindi music she singled out the tune 'Maar daala' from Devdas as a special favourite. More musical events like Sa Re Ga Ma Pa and Antakshari bringing the two nations together on the same platform could do a world of good for improving relations between the two countries.

Changing faces: Kkusum has a new face in the title role. And the protagonist Aryan (Vikas Bhalla)'s wife who was played by Sanobar Kabir is replaced by Seema Shetty in Zee's Tum Bin Jaoon Kahan. The writer was seen going through convulsions to explain the plastic surgery. The tricky transition, when an actor leaves, can leave many soaps out of breath. That's what has happened in Tum Bin Jaaoon Kahan. Last week all the characters were aligned in one frame looking in the same direction, like the cops in Santoshi's Khakee to grill the 'two-faced' Durga.

And I thought, not for the first time, about the things we must do to engage ourselves in the frisky fracas of sofa-top fiction.

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Dog and the bone: Meera Vasudevan who gave such a scrubbed performance in Parvathi Balagopalan's Rules: Pyar Ka Superhit Formula has joined the cast of the frisky and frivolous Kyun Hota Hai Pyarrr. The two protagonists Addy and Kuku now treat her like a glorified football.

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"Woh meri hai…. nahin nahin woh meri hai…" They pull and push at the girl, thereby completing the climate of commodification that surrounds the feminine stereotypes in the popular arts.

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Code Red

The name game: Before I go I must tell you I've cracked the mystery of Star's Kumkum. All along you thought the afternoon soap was so named after the protagonist. Wrong! Last week when she escaped captivity Kumkum scattered a train of kumkum (vemillion) from the window of her car for her husband to follow.

'Red' anything interesting lately? Our good old Jassi Jaisi Koi Nahin Jassi has walked out on her Prince Charming for a holiday with her grandma at the seaside. There she meets the solemn bespectacled single-father played Samir Soni.

About time she moved on. Armaan treats her like recycled waste material.

(Pic courtesy: www.hindisong.com, www.starplus.indya.com)

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