| The bone of contention as far as piracy is concerned
is the 52 1 (j) clause of the Copyright Act which, the IMI contends,
aids and abets legitimate piracy and version recording. IMI's D'Souza
elaborates: "The 52 1 (j) clause allows the unscrupulous operators
to get away by just sending a notice mentioning that they will be
utilizing our archives; reproducing original songs after two years
of the original launch date; and paying a meagre royalty of 5 per
cent. The blatant piracy has wiped out the music industries in countries
like Pakistan and Malaysia; India seems to be heading towards the
same."
In a way, the music companies have suffered due to the rapid pace
of technology. The gray market operators require minimal infrastructure
to undertake the duplicating operations. The formats of storing
and selling music have also become more sophisticated. A single
CD store more than 100 songs. Saregama's Shveta Jain adds : "An
ordinary CD cost Rs 40 and has content (recorded songs) that had
cost the music industry millions in terms of acquisition of music
rights. Saregama had lost a huge proportion of their entire archives
of old Hindi film songs to the grey market."
The IMI officials claim that the laws are woefully adequate to
combat the menace of piracy. "There were 3650 cases registered
over the last four years. The law provides for a fine of Rs 50,000
and imprisonment for upto six-months. But the catch is that the
cases are first heard by the first magistrate who is not empowered
to give a ruling that includes the above mentioned fines. Only 191
cases have ended in conviction and just 30 percent have been awarded
long prison terms or heavy fines," laments D'Souza.
With a negative growth of 11 percent in 2002 and the unorganised
sector growing to 50 percent (Rs 6 billion) of the total pie; the
IMI is considering hard options to milk all the existing and future
revenue streams such as FM radio, TV channels and Internet. The
IMI estimates that the legitimate industry has shrunk by 27 percent
in volume and 38 percent in value. The industry is believed to have
had a cash loss of Rs 2 billion.
D'Souza also adds: "Another issue is related to the discriminatory
excise duties of 6-8 percent on music CDs and none for computers
CDs. The moot point is that the manufacturing process for both types
of CDs is similar. Due to this anomaly, the illegally available
CDs' prices decrease by nearly 20 percent. This goes against the
music companies who can't compete at much low price levels."
The music industry is in doldrums due to the impact of piracy and
lack of planning during the past decade when the industry bigwigs
gave away too much for too little. The impact of the lack of foresight
is being witnessed now.
"During the early nineties, the music companies didn't pay
much heed to the protection of intellectual rights. They also did
not drive a hard bargain with the producers and the TV channels,
neglecting the fact that these channels could contribute substantially
to the revenue streams in the future when margins got depressed.
Currently, piracy has gained gigantic proportions and the member
companies are not getting their dues from the existing revenue streams,"
says IMI's newly appointed secretary general Savio D'Souza, who
has joined the association recently after a diverse experience in
space selling, television marketing and distribution.
Film and music industry sources say that the music companies, already
suffering from having to pay huge music selling rights to film production
houses, were getting hit very badly. They say the fall is marked
at the lower end of the market, as customers with lower purchasing
power have cut down on CD and cassette purchases finding FM channels
a welcome alternative.
Sale Price and Margins - CDs (Source IMI)
| |
Legal business earlier |
Legal business now |
| Consumer price |
Rs 175-275
|
Rs 99-150
|
| Dealer price |
Rs 140-200
|
Rs 75-110
|
| No of songs |
10-12
|
10-12
|
| CD costs |
Rs 20-25
|
Rs 25-30
|
| Dealer contribution |
Rs 80-130
|
Rs 30-60
|
Piracy - Impact on sales and volumes (Source IMI)
| |
Sales volumes earlier |
Sales volumes now
|
| Hit A/A+ films |
10-15
|
4.5-5.5
|
| Average A/A+ films |
2.5 -4
|
1-1.5
|
| Hit B and C films |
3-5
|
1-1.5
|
| Average B & C films |
1-1.5
|
0.2-0.5
|
Figs in Rs millions
IMI will rope in several prominent personalities and educate the
youth and other focus groups to start buying legally available music.
Well, when the going gets tough, the tough get going! The Indian
music companies have realised that they need to act tough now rather
than repent later.
IPRS
CISAC-Asia Pacific Committee meet on copyright
The controversial 52 1 (j) clause of Copyright Act, 1957 Chapter
XI: Infringement of Copyright
|