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The
battle royale among the broadcasters to gain a greater share
of viewership has witnessed an increasing activity in the
last few weeks. With Star Plus and Sony having introduced
new programmes like Sanjivani,
Kisme Kitna Hai Dam, Dhadkan etc. in the prime time, the
choice of programmes and genres within the programmes for
the viewer has increased, giving greater choice to the viewers.
For an advertiser, the task to track audiences has become
a more uphill task. In this scenario, it becomes imperative
to track changes in programme scheduling of channels, especially
of mass channels. As a part of these channel dynamics, on
22 March, 2002, Zee TV introduced its celebrity based Jeena
Isi Ka Naam Hai (JIKNH) in the Prime Time slot of Friday
2100-2200.
Background:
Prior to this programming change by Zee TV, the competitive
environment in Friday 2100-2200 slot was:
| Channel |
Time
Slot |
Programme |
| Sony
|
2100-2130 |
Kkusum |
| Sony |
2130-2200 |
Heena |
| Star
Plus |
2100-2200 |
Khulja
sim sim |
| Zee
TV |
2100-2130 |
Choti
Maa ...Ek Anokha Bandhan |
| Zee
TV |
2130-2200 |
Koi
Apna Sa |
Channel
Share, a key performance indicator, shows that in Hindi
Speaking Markets, Star Plus was the clear leader in the
C&S 4+ audiences (Cable & Satellite 4 Years and above) with
Zee TV achieving almost 1/5th share of the market leader-Star
Plus.
Understanding
the Channel Dynamics post the JIKNH launch:
First, a look at the details related to the programme
launched:
| Channel
|
Zee
TV |
| Programme |
Jeena
Isi Ka Naam Hai |
| Date
of Launch |
22
March ,2002 |
| Time
Slot |
2100-2200 |
| Programme
Type |
Celebrity
Based |
| Unique
Selling Proposition |
"Know
the Celebrities through their close ones" |
| Celebrity
featured in the inaugural episode |
Shahrukh
Khan |
Mumbai:
Trial Generation: The trial generation depicted
by the reach numbers for the key market of Mumbai shows
that the programme has proved to be a major success for
Zee as the reach has risen by more than 100 per cent to
1.7 million viewers.

Viewership :

The
share of viewership for Zee TV has increased by 82%. The
time spent per viewer defined as the average minutes spent
by the viewers (people reached by the programme) has remained
constant, though the reach has increased by more than 100%
(as shown in the chart 1). This indicates that the total
amount of time spent by the viewers has increased as not
only did more people trial the programme (high reach)
but they also spent more time on the time slot. Also note
that the proportionate increase in reach is more than the
proportionate increase in channel share. For any programme
launch, reach and time spent are the two major indicators.
Ratings, a constituent of these two factors, builds up across
a number of episodes as the stickiness (time spent) of the
audiences to the programme increases.
Audience Behaviour:

With time spent being a key constituent for the computation
of ratings, the environment in which a programme is telecasted
plays a vital role for retention of audiences. The greater
the number or duration of breaks, the higher is the chance
that a viewer may zap to some other channel. The above graph
of flow of audiences (Chart 3) in the JIKNH time slot between
Star Plus and Zee TV in Mumbai depicts this phenomenon among
the Cable & Satellite households. There is a high exchange
of viewers between the two channels during the breaks. This
could be a key reason that Star Plus has lost its channel
share , while this has been a gain for Zee TV.
The
above details in the Mumbai market helps one to understand
the viewership pattern and channel dynamics.
Profile
of audiences:
A fundamental question that one needs to be analyse is:
Who are the audiences that saw the programme?

In the above graph, the Net index axis represents the ratings
that consider the rating of Cable & Satellite 4 years and
above (CS 4+) audiences as the base (100). This means that
for every 100 rating index generated by CS 4+ audiences,
CS Sec A generates a rating index of 172. This helps to
analyse whether the programme is skewed towards any particular
set of audiences. In Mumbai, the rating for CS 4+ individuals
is 3.46 while that for SEC A individuals is 5.97. The composition
of Cable & Satellite population in Mumbai consists of only
17% SEC A individuals while SEC D/E individuals consists
of 30%. The programme, however, has low ratings (2.6) in
the SEC D/E category. Almost all Hindi Speaking markets
show similar profile for the programme.
- Hindi Speaking Markets ( Except Ahmedabad)
Trial Generation :

In the *Hindi speaking markets, the reach has gone up by
80% thus depicting a high trial generation. Out of this,
Calcutta has shown a significant rise from 96,000 viewers
to half a million viewers-a rise of 450% .The other significant
gainers are Rest of Maharashtra (Maharashtra except Mumbai)
increasing by 157%, Kanpur by 158%.
Viewership:
The
above data indicated by shares and Reach shows that the
channel - Zee TV - has doubled its numbers if compared to
the same time slot (Friday 2100-2200) last week. The time
spent by the viewers has also increased from 13 minutes
to 15 minutes.
Profile of Audiences: 
In this market, we again see the same trend as was prevalent
in Mumbai. The ratings are the highest in SEC A audiences
as compared to the other SEC's. In this market SEC A audiences
consitute 22% of the total cable & satellite population.
Conclusion
Zee has achieved a favourable response for JIKNH and
a strong base on which it can built up the audiences by
capitalizing on the trial generation. A major share of the
ratings is contributed buy SEC A audiences as the first
episode of the programme is skewed towards SEC A audiences.
However, if the audiences in other SEC's can also be captured
by favourable marketing strategies, the ratings can only
go in the upward direction. Certainly, high decibel promotions
and highly popular star cast is the road to go ahead!
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