"Success
is not only about getting more money in whatever you are doing,
but doing things in the best possible manner and getting recognition
for that," began fire brand actress turned producer Neena Gupta
speaking on the session on 'Programming for Success' on the concluding
day of Frames 2002. She stressed that there is a social responsibility
as a media person on every one of us that whatever we do should
have an impact on the lives of people.
If healthy
content is not provided to the viewer, in the long run we are
going to mentally cripple the coming generation, Gupta warned.
She also mentioned that social responsibility does not mean no
entertainment. "From my experience I can assure you healthy
programming works. You have to put it in a right format which
will appeal to viewers. There is a risk, but we have to take it,"
Gupta says. She agreed with Ravi Chopra of BR Films who mentioned
in his inaugural speech that as programming is evolving, the presentation
or programming format changes. But that should not affect the
content which is vital.
Harish Thawani,
CEO, Nimbus Communications, however, took a contrary view. His
opinion being that that India needed to look at creating its own
unique content that could be leveraged on a global stage, rather
than adapting formats that have been successful abroad. He also
mentioned that anything connected to cricket and movies is working
and will work in future on television.
The session
delved into the various elements that lead to a successful programme
with Ramanand Sagar, well known producer, as the chairman. Sachin
Pilgaonkar, producer of the popular soap Tu Tu Main Main,
said programming success is all about team work. Pilgaonkar's
view was that channels should share revenues for successful programmes
with producer, who in turn should pass it on to the crew.
Almost all
the speakers felt the need that people in programming in channels
needed to be more open to new ideas. Executive producers are ignorant
about Indian culture and literature was another complaint. Citing
an instance where a pilot were presented to a channel about a
series based on the Selected Stories of Premchand, an eminent
Hindi writer. Not only was the channel EP utterly ignorant about
the great litterateur, to add insult to injury: "Ask the
writer to meet us," was the response.
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