Dilemmas of the two-lovely kind

(Posted on 8 July 2005)

Just when I had begun to wonder where Ravi Rai had disappeared to, he surprises us with Kasshish… Zee's new daily which features two of the loveliest ladies I've seen on television.

Kitu Gidwani and Simone Singh are stunningly watchable as "soutans" battling over a supine Ayub Khan. The confrontation sequences between them at the hospital were not quite like Rekha and Jaya Bhaduri in Silsila. But the dialogues were meaningful and mellow…

But the theme is old. Rai loves doing extra-marital themes on television. What would see the soap and its hackneyed theme through is Rai's inbuilt aptitude for drama, and of course the two ladies.

But would Kitu please go easy on the makeup? She'd remain beautiful even without slapping on the war paint so viciously.

This week we saw Anand (Ayub Khan) getting a heart attack after the Other Woman Ratna (Gidwani) refused to take his call. Whether it was the shock of being spurned so suddenly or the thought that cellphone companies might one day start charging callers for missed calls that put him on the hospital bed… we don't know.

I only hope Kasshish lives up to Ravi Rai's earlier reputation. He gave us Sailaab and Thoda Hai Thode Ki Zaroorat Hai, two of the finest soaps on Indian television.

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Fine thoughts eluded my 'gasp' when I watched Sahara's Friday Premiere of Prateeksha. By jove, if any feature film in recent times qualifies as B-A-D this was it! The director (let's not embarrass him by naming him) seemed to be thinking about his next meal or maybe his next film, while making this one.

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A presence of mind was drastically missing, as poor Jimmy Shergil struggled with his Bihari accent to play a medical student who first heckles then wins the hoity-toity Miss (Diya Mirza) on the campus.

The song and dance sequences were so tackily done you wondered if the camera by chance crept into the rehearsals instead of the final take.

But we're straying… Back to the story… Jimmy is a Hindu, Diya is Christian. His father won't have any of their marital plans. Jimmy leaves in a huff… but runs into Diya who now smokes like a chimney, drinks like a fish, and acts like ham.

One feels rather concerned for the people at Sahara who actually commission these mal-functioning movies… Come on, guys. You can do better.

Look at the leaps and bounds being made by international cinema. The other week I was watching BBC's eminently viewable Talking Movies where a French director was speaking on how tough it is to market his film in the US. We seem to be stuck making movies that best belong in the cans, if not the trash can… forget the Cannes Film Festival.

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Star Plus' Saara Akash had the leading lady sneaking into enemy territory to rescue her baby from Rakshanda Khan who played a reluctant terrorist. While she turned a new leaf, the soap branched into a jungle of activities. Men ran around with fake guns while the two ladies argued on extremist morality. A baby wailed in the background to complete the chaotic picture.

Some soaps clearly mistake the pitch of voice and multiplicity of sounds to indicate a gripping narrative.

Heard veteran actress Kamini Kaushal lecturing everyone on the girl-child being the ghar ki izzat on LOC. It was a VERY long speech. And by the time it ended we had all ceased to care about the homily.

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On television everyone simply wants to have fun... at any cost. Star One's Bluff Master (hosted by a guy who grins so meanly he makes the prize money seem like the wages of sin) featured a 'Daku-Hasina' special where villains and molls of moviedom got together to make some money out of a concept that trivializes consumerism. The contestants wore menacing expressions throughout. Gulshan Grover wore dark glasses to avoid eye contact with the other contestants. But he still managed to be more polite than music director Ismail Durbar on Zee's Sa Re Ga Ma Pa Challenge.

Durbar was downright rude to the young boys and girls, taunting their accents, scoffing their abilities. Jatin-Lalit were far more tolerant judges. But they had to face the brunt of a mother's wrath who all but hit them for rejecting her child.

These live talent-scouting contests are becoming occasions for a circus of hysteria. On Sony's Fame Gurukul a girl who feigned a tummy ache to avoid an appointment was given a dressing down by a teacher on-camera. There was another boy who got a 'surprise' call from his girlfriend on his birthday. The entire 'conversation' was staged so awkwardly, one didn't know who was more embarrassed - the people who were put through the drill, or viewers who have to watch singers do a spot of 'acting'.

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MTV got Cyrus Broacha to conduct a really cool interview with Shah Rukh Khan who was elected the youth icon of the year. Both the host and guest were in their element. Broacha asked jokey questions like whom does SRK prefer, Broacha or Oprah Winfrey. He even asked SRK if he has chest hair.

SRK promptly pulled up his teeshirt to show that he did not.

Star News got the director Manish Jha and his leading lady Tulip Joshi from the new film Matrabhoomi. They weren't quizzed about chest hair. But were asked some really incisive questions, like why would audiences want to see a dark and depressing film like theirs.

Perhaps in her endeavour to prove she was still a sunshine girl, the actress promptly said they all had fun when the camera wasn't looking.

It's amazing how everyone wants to prove how blithe-sprited he or she is even while promoting a film that fights female foeticide.

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For some real fun tune in to Star One's The Great Comedy Show. Last week there was a hilarious episode on the smoking ban where every actor puffed away on the cancer stick in a hospital scene to beat the smoking deadline.

And why was Dia Mirza smoking in Sahara's film Prateeksha? Was it because she wanted to beat the ban or was she playing a troubled soul?

(The views expressed here are those of the author and indiantelevision.com need not necessarily subscribe to the same)

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