How
to Write Suspense and Thrillers
Director
Vivek Agnihotri provided the perfect finale to the workshop with an
interesting presentation on developing a script. He said that often
the best source of stories is newspapers, history, myths and legends,
family and childhood stories and travel. Dreams too are a rich source
of potential stories, he said. "A well crafted plot should have a series
of rising and falling action, tensions and climaxes … a good suspense
plot is a roller coaster ride", he said.
Vision
and technique, he said, are both important tools of scriptwriting, while
dreams and travels can often be a rich source of content for scripts.
The titles and loglines have to be pithy and to-the-point, Agnihotri
stressed, while a solid plot is the single most important element in
a successful suspense. Characterisation is just as important as the
suspense curve, which as Agnihotri explained to a hooked audience -
has to be circular, not linear. Tension inducing conflict is what holds
a suspense drama together, he said. The most important aspect, finished
Agnihotri, is a series' quality - if you can watch the show with your
grandchildren with pride, you have done it, he said.