In
this the first of what is to be a weekly column looking at
shows on air, Koushik Saha analyses different facets
of programming - like ideation, presentation, production values
and promotion.
| CHANNEL:
Star
Plus |
| PROG:
Kamzor
Kadii Kaun |
| GENRE:
Quiz
show |
|
TELECAST: Tuesday, 9 pm |
| POST
15 WEEK |
|
What
a brilliant concept, creating a world of use and abuse of
competing quizzers. A concept picked up directly from the
The Weakest Link, but alas this concept could have
done more in India, as it has been so arguably successful
in UK, USA, Turkey, Germany, Thailand, Argentina, through
almost the entire globe.
Star had the perfect quiz to replace a successful KBC,
even if it was for only
one day of the week. This concept is fresh on the subcontinent's
footprint. Television has never seen such a great marriage
of soap opera and a quiz show. The concept forces the participants
to indulge, connive, even challenge values and then articulate
to justify their decisions. Interludes with vox create unique
characters, which along with varied socio-cultural backgrounds
create a fine story of its own each time. The anchor plays
up the darker side of the concept that is a vote to eliminate
the weakest link. Once the participants decide, she keeps
hitting below the belt, subtly encouraging the contestants
to go after each other. Participants and viewers who are
used to getting solace from the host are shocked at being
given a rude exit.
Let
us look at the presentation. The show has high production
values. Neena Gupta is doing a great job, despite of repetitive
anecdotes and one-liners. She keeps up the 'mean factor'
without losing out on pragmatism. This helps her keep up
with audience sensibilities. But she never communicates
with her viewers directly which I think could be an added
advantage. She could look into the camera and talk to the
viewers, make tongue-in-cheek references about her participants,
their scheming ways and how she would get at them.
Kamzor Kadii Kaun
at a glance -
| Originality |
The
Weakest Link - British original - gothic and mean |
| USP |
Definitely
a different kind of quiz by proactive quizzer participation.
A soap opera 'bitchiness' feel is thus created. |
| Profile |
Antithesis
of feel-good KBC. Questions relatively easy.
Competitors are forced to show inherent logic, connivance
and values, touched with regional accents. Interludes
with vox create unique characters, which along with
varied socio-cultural backgrounds create a fine story.
|
| Production
value |
Best
known to quiz shows |
| Anchor |
Neena
Gupta----Pragmatic profiling despite being mean. |
| Promotion/Hype |
Weak
- Hardly promoted. Anchor not promoted, hardly talked
about in the print. The original British version has
got a lot of press hype. |
|
Missed opportunities |
Studio
audience benign. No TV audience communication by the
anchor. |
A great show like this cannot sustain itself without the
advertising and public relations guys working overtime with
brilliant ideas to hype the programme. Every great television
concept needs a human face. Star Plus' should work more
on promoting KKK's stylised anchor Neena Gupta either
through its special promos or its network of public relations.
Look at the original anchor Anne Robinson, she has been
constantly talked about in almost all leisure pages, hated
across channels, her one-liner sound-bites are on the Net,
they are used in chat rooms and could match Gabbar Singh
dialogues from our part of the world for sheer impact.

Neena
Gupta has a long way to go before she catches up with
the Queen of Mean, Anne Robinson |
Robinson
now holds the rank of the top ten world's worst dressed
woman (along with teen pop princess Britney Spears). The
cream topping so to speak is that of the Top Ten "Television
Bitches" the only one to ever make it from non-fiction.
In a press release by Open UK, which conducted a
poll of the one least likely to be invited for dinner, Robinson
ranked second only to "Hannibal The Cannibal"
from The Silence of the Lambs. This is what classic
public relation exercises are all about. Unfortunately in
India television PR and "cross-media hype" is
not considered a marketing strategy, which should be fundamentally
considered at every stage.
Koushik
Saha has been associated with
television for the last 18 years from Bhimsain's hit comedy
Choti Badi Batein in the eighties, to television
projects
of Pritish Nandy Communications and as a Strategist with
Sahara TV. Now as an independent analyst he looks at present
television programming with wide perspective, with studies
from different focus groups of TV viewers.
|
Rating
|
| Excellent
|
***** |
| Good
|
****
|
| Fair
|
*** |
| Average |
**
|
| Poor |
* |
Saha has drawn his conclusions from discussions with
around 80 people, all of whom reside in Mumbai but represent
as wide a cross section as he could manage.
(The
views expressed in this article are purely those of the
author and indiantelevision.com takes
no responsibility for the same).
|