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Inside Programming: Sanjivani


A finger on the viewer's pulse


Kaushik Ghatak's had enough of saas-bahu sagas too. He should know. The young director had the privilege of directing a little over 100 episodes of the meandering family saga Kyunkii Saas Bhi Kabhi Bahu Thi last year.

He's treading relatively fresh terrain in Indian TV with Sanjivani, and is understandably excited about the potential. "There's a limit to the range of action, emotions and relationships you can have within a family drama," he reasons. A hospital drama series, on the other hand, offers tremendous scope to play around endlessly with the same factors, he says.

Ghatak was doing Sanskruti and Shhh..Koi Hai for Cinevista when Siddharth, a long time friend, discussed Sanjivani with him in 2001. "I jumped at the idea", he says, " I had anyway left Kyunkii... with a feeling of saturation, having done what I could from episode number 35 to 155." After the concept was approved by Star, the team spent more than eight months researching the subject, assimilating over 800 case files of patients that could be incorporated in the storyline. "But it is the moments in the hospital and the interplay of relations that are more important than the storyline", he insists.

One time assistant to Partho Mitra, Ghatak's excitement with the snazzy set put up by Omung Kumar and the complete digital set up used for filming is palpable. "The resolution, the colour saturation and the sharpness will be 20 times better," he says, as he takes a breather between the rigorous 12-hour shift at the Kanjur Marg set. The obvious camaraderie that exists between the young director and the four young actors playing the lead roles, will show up on screen too, he believes. They respond easily to his direction, and their high energy levels bring a vibrancy to the scenes, says Ghatak.

A native of Burdwan, West Bengal, Ghatak started off as assistant to Anurag Basu, after completing a course at the Asian Academy of Films and TV. A couple of independent ads later, he moved into serial direction. Aamrat Probashi a Bangla serial, was his first independent directorial venture. Ghatak has been switching genres with ease - from soap to thriller to a hospital series - he stays attuned to what the viewers will like tomorrow.

A meticulous planner, Ghatak confines shooting to four scenes a day; and takes over a week to can an episode. "In fact", he says self-deprecatingly, "I have barely completed four episodes so far." He is taking time, but is assured of the quality of the output. Thus far, Kyunkii... has been the lone jewel in his crown in his nearly five-year tenure in the satellite TV industry. Sanjivani might just be his ticket to the big league.



 


 
 
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