Indiantelevision dot com's Perspectives: Kyunki... Vox Populi hai!


Kyunki... Vox Populi hai!



By VICKEY LALWANI

Posted on 9 September 2003


Many of us criticise and even mock at the serials dished out by Ekta Kapoor's production house, Balaji Telefilms. Her shows are too far-fetched, it seems farcical that all the bahus are dressed in sarees and sindoor at all times. Sometimes, one wonders, if it's necessary that women have to be goody-two shoes or inky black in character, as portrayed by Kapoor in all her serials.

How do ordinary people relate to Ekta's shows? Do they think she is causing a gradual degeneration of society? After all, her messages are hammered into the drawing rooms of thousands of Indian households, day in and day out.

On the one hand, some say she is depicting modern day India and its domestic travails. On the other, it is called entertainment. But what is she actually cashing on? Is it the urge for the middle class woman to aspire to be in the protagonist's position? We tried to find out how the serials influence some avid Balaji fans:

Ronit Roy and Smriti Irani in a scene from Kyunki Saas Bhi Kabhi Bahu Thi

A 33-year old hardcore fan of Kyunki Saas Bhi Kabhi Bahu Thi, who is the only son of his parents, stays in south Mumbai and claims to have watched the serial uninterrupted for three years.

This marketing professional, Ashok Khemlani, who travels abroad at the drop of a hat, says, "Watching Kyunki... with my parents has become a habit - a sort of family get-together. It's all about how the youth can gel with their elders, if the elders are flexible. For instance, Baa has reconciled herself to her bahu and the bahu's bahu and even to the nerd-like lovable character, Indu."

Khemlani says, "If the older generation is flexible, then they can strike a rapport with the young and infuse traditional values in a subtle way. If this is done, the new generation will become a perfect blend of the old and the new - like in Japan. India needs this desperately today because our youngsters are not proud of our culture."

Another interesting aspect he points out is related to the joint family system which is a dying institution today. "Kyunki proves that the joint family system can exist and be successful in today's context. A joint family teaches you the mechanics of self-control or team work - or other management precepts. The key is to imbibe, internalise and become a living embodiment of the learnings."

When asked whether he watches the ads too, Khemlani says, "When the ads are on, I switch to Zee TV's Kittie Party."

A student from a city college has a different perception of the Balaji serials. She says, "I think, Ekta is a very smart woman with a definite agenda. She knows the Indian middle class is detached and insensitive, and likes to prey on the traumas of others. It gives people a high to see others going through abject misery, especially those who are economically well off. People enjoy watching the sufferings of those born with a silver spoon in their mouth!"

This collegian says Ekta is a shrewd entrepreneur. According to her, the entire Kapoor family has a breathtakingly clear notion of what the consumer wants. "I've heard many of my aunts, cousins, friends and colleagues (who are avid watchers), discuss among themselves, whether Ekta takes her audience for fools. Yet they don't miss even one episode," the student says.

According to a businessman from Malad, "The popularity of Ekta's programmes do not speak highly of the intellectual ability of our women. I am no male chauvinist, but the reality is staring us in our faces. Ekta's strength is that she is able to create strong characters, even though her stories revolve around the ridiculous."

He says, today, while people can't recognize an Amisha Patel or a Neha Dhupia in a magazine, they can easily spot a Balaji character like "Ba, Babuji, Gomzi, Parvati, Pallavi, Tulsi, Komollika, Ramola and Shaina".

A government employee from Goregaon adds, "I think Ekta portrays a lot of regressive characters. Every alternate woman in her serial is having an affair or plotting to kill somebody, and the rest are the pallu-gharelu or family types. Why can't she depict a normal working woman?"

Mouli Ganguli as Shaina in 'Kaahin Kissii Roz'

However, this Goregaon resident agrees that she watches all Balaji serials. "I am mesmerised by the look of some of the characters in her shows. I am bonkers about the glamorous blouses of Ramola Sikand in Kaahin Kissii Roz. I wish, I could dress up like that and go to work. But in terms of nature, I am closer to Shaina's character in the same serial. Whenever I see Kaahin..., I put myself in Shaina's place."

She opines that Ekta does go a bit over-the-top, "but she has many characters in every serial, with whom people can identify".

However, another bank employee from Goregaon says, "Ekta's serials are an extension of everyday life. That's why I like them. That's why they continue to be at the top positions. We don't want to see any stuff which is drastically different from our everyday life."

She points out a very significant quality of Indians. "We are always opposed to change, whether it's for good or bad. For instance, the common man is not in favour of CAS. Why? Because without realising the necessity of a thing, we discard it saying that it is a jhanjhat (cumbersome). Mind you, I am not absolving myself from the majority. I too have often resisted changes in life."

According to a young TV reporter, "For three years I am trying to figure out why my mom needs to see these serials every day. During her spare time, she talks about Ekta's characters rather than about her personal and social life. Watching Kyunki... is like watching someone's life, frame by
frame. Hitler should have used these serials for mass murder instead of the gas chambers!"

Responses are myriad. Some praise Ekta's serials to the skies, some ape the characters and adopt their dress sense, and yet some think its a waste of time. What is significant is that, there are those who hate it and those who love it, but we didn't spot anyone who hadn't heard of the 'K' soaps.

Also read:

"There's no place better than Balaji" - Costume designer Nim Sood

"We want to make some films for channels" - Balaji Telefilm CEO Shobhaa Kapoor

" No company which does not have an attitude can ever be successful" Balaji Telefilms creative director Ekta Kapoor

 

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