|
What
pulls a viewer towards a particular show or channel? In all likelihood,
it's the hype built via publicity and promotions around the show.
Right from interesting on-air promos to the teaser outdoor campaign
to viral marketing and human banners - today there are no dearth
of options available when it comes to promoting a show. These promos
familiarise viewers to programmes and channels and are sometimes
claimed to be even more exciting than the programming itself.
Moreover,
the trend that was seen last year was that paid for advertising
commercial time on television saw a drop, whereas promo time went
up by leaps and bounds. Hence channels are putting more energy and
moolah behind promoting their own shows at the cost of advertising
revenues. The ultimate aim - to garner maximum eyeballs.
It
is keeping this scenario in mind that Indiantelevision.com
introduces a new section Promo Power.
Promo
Power will take an in depth look into: Which are the best
promos?
What goes behind each one's making? What is the idea behind the
promo? What were the the techniques used?
Promo
Power will
give you the best promos on TV as selected by an advertising professional
as too the reasoning behind the choices. This will be buttressed
by insights from each promo's creator in the same article. So stay
tuned in.
 |
|
Euro
RSCG vice president, creative Ashok Karnik
|
In
the first of the series on Promo Power we have Euro RSCG vice
president, creative Ashok Karnik giving us his views on the
Top Three on-air promos of his choice. Karnik is the man behind
the memorable Max Rangoli ad wherein we saw a traditionally dressed
South Indian woman replacing Sanskrit words with the names of cricket
stars while drawing a rangoli in the form of a cricket pitch.
Says
Karnik: "Firstly, let me tell you honestly that there aren't
too many interesting on-air promos for any shows or channels you
see. But what comes to mind easily are our Max promos (that's
because we have done them, he says jokingly). Apart from
that there are a couple of them that come to mind."
One
of the three on his favourite list is the KBC 2 promo
where we see a robbery in Chaudhary's house. "It's a rap, which
ended with the lines: Don't lose hope is the moral of the story.
Also there were others in that series - a cricketer, an actor and
a music director. All these people were shown as losers. And finally
in the promos it said -- Hot seat pe milega bhaiyya umeed se
dugna."
"These
promos really stood out in the clutter of commercials. Firstly,
they were long in duration. Perhaps 45 seconds. For the first time
we heard Mr Bachchan rapping. It was highly entertaining. Thankfully
they didn't show Mr Bachchan as a central character. The objective
was to communicate that the most popular quiz show was back again.
The promise of 'Umeed se dugna' was not only relevant to
the participant but also to the viewer."
According
to industry estimates, the cost of making the three TVCs for KBC
2 with the actor, cricketer and musician was in the region of
Rs 3 - 4 million.
The
creative brain behind the TVCs, Ogilvy & Mather senior creative
director Sagar Mahabaleshwarkar said, "The real challenge while
making the promos for KBC 2 was to make the show more successful
than the first time round. We had to provide something different
and interesting to the viewers as the show and the anchor (Amitabh
Bachchan) were the same."
"The
entire premise of the show was based on the hope factor and that's
when we zeroed in on the strugglers in day to day life. The fact
remains that there are more strugglers in the world than winners
and hence we picked up people from different walks of life, who
had a zest to make it big in life," said Mahabaleshwarkar.
The
promos took about one and a half to two months to shoot and were
directed by Rajesh Krishnan. "The transition from the outdoor
location to the studio in the promos was seamlessly done and that
was the beauty of it," added Mahabaleshwarkar.
Another
interesting aspect of these promos was that initially, the channel
and the agency wanted Bachchan to play the roles of the actor, musician
and cricketer but the idea was to use him smartly in the promos
and hence he was then used as a guest in the promos. Also the names
of the characters in the TVCs are Vijay - Vijay Hazare (cricketer),
Vijay Kumar (actor) and Vijoy Da (musician).
Not
that it was a coincidence. It's no secret that in most of his earlier
movies, Bachchan's character name was Vijay. Remember - Vijay Deenanath
Chauhan (Agneepath), Inspector Vijay Khanna (Zanjeer),
Vijay Kumar Srivastava (Shahenshah), Vijay Pal Singh (Kaala
Patthar), Vijay (Don), Vijay Singh Rajput (Aankhen)
and the list goes on...
 |
|
Please
Stand Up!!!!
The effervescent Lola Kutty of Channel [V]
|
The
second on his list is none other than the promos around Channel
[V]'s South Indian dame Lola Kutty. "Channel [V] has
been doing some interesting promos too. For a music channel it is
very challenging to get in the eyeballs or to retain viewership.
Because they show film music or videos that they don't own. You
can watch them on any music channel. Hence they have to create a
difference through what is shown in-between the videos. For example
my favourite is the Lola Kutty TV promos," Karnik opines.
According
to him what fascinates him most about the Lola Kutty promos is the
fact that the character of Lola Kutty is so real and funny at the
same time that you can't help but watch her promos. "But historically
Channel [V] has created such characters like Udham Singh or Quick
Gun Murugun. I think everyone remembers them even today. Interesting
part about these is that more often than not viewers came to watch
them instead of the songs. And that's the differentiator. That is
what creates the attitude and the personality of the channel,"
Karnik says.
To
talk a bit more on the ever-so-talkative Lola Kutty, the most amazing
thing about the Channel [V] resident beauty-on-duty is that what
you see is what you get. Lola is the official 'spoofed' music video
censor board for Channel [V].
Here's
what Channel [V] head honcho Amar K Deb has to say about the effervescent
Lola and the thought behind the promos made on her. "The promo
showcases Lola Kutty in a manner that was prevalent in the lone
DD days when one got to read sign messages like 'rukawat ke liye
khed hai' or 'sorry for the interruption.' We have given that whole
idea a humourous twist and her promos are a spoof on those state
run television days. Lola has a whacky and crazy sense of humour
and at the end of the day, it's all about a great idea," Deb
reveals.
The
Lola Kutty promos were made by the Channel [V] in-house creative
team. When queried as to what goes behind creating a promo, Deb
highlights, "The idea has to be so strong that it has the power
to dictate the creative and ultimately the success of the promo."
Not
venturing into the moolah that goes behind making one-such promo,
Deb however said that a channel may not spend as much as a Rupee
on a particular promo and sometimes end up spending in excess of
Rs 5 million. "It really depends on the idea. But I can surely
say that most of the Channel [V] promos that have worked for us
have been made extremely cheap."
Moving
on to the third promo on Karnik's list, it is none other than a
promo made by Euro RSCG for Max. The promo was around the
Australia versus the World XI cricket matches held
in September last year. Here's what Karnik has to say about it
Before
the Australia vs The World XI cricket matches last September, Euro
RSCG created very interesting on-air spots for Max. Four commercials
were created around the theme of "How to beat Australia."
The films were named: 'Kelawala', 'Nagging wife', 'Dhobi ghat' and
'Bhai'.
"These
four promos done for Max, were not dependent on any techniques because
the script didn't demand any. They were simple scripts depending
largely on performance. Hence casting was very crucial. We used
theatre actors and the characters looked real. Directors Amit and
Aliya of Chrome Films did a good job," said Karnik.
It
had ordinary people giving ideas to beat the Australian team in
a very funny and honest manner. We avoided showing any cricket props
or actions. The situations of all the spots were very real. You
will see those characters and the situations if you looked out of
your window. The campaign theme was extended to a contest asking
people to send ideas for 'How to beat Australia.' This was done
to basically reinforce the channel promise of 'Deewana Bana De'.
Max
vice president on-air promos Avanish Agrawal says, "The idea
was to arouse interest among viewers. One major thing to keep in
mind was that India was not playing as it was Australia versus the
World XI. We thought of the best way to arouse interest was to involve
the viewers so we came up with the How to beat Australia campaign.
The thought was to make these ideas as bizarre as possible without
being repetitive. We shot four promos in Mumbai, three of which
were shot at actual locations and one in a studio. The promos were
made such that aside from giving the idea on how to beat Australia,
they also informed the viewer about the telecast date of the matches."
Going
on to the cost of making these promos, Agrawal said that there was
no benchmark as to how much it costs to make a promo. "It really
depends on what the story is and how it has to be presented. Sometimes
shooting on-location can cost more than shooting in a studio or
vice versa. It really depends on the script and varies from campaign
to campaign," he adds.
However,
Karnik is of the belief that while there might be more such examples
he, for one, hasn't seen any that are as distinct as the ones mentioned
in his list.
He
goes on to say that, "The mistake most channels make while
making their promos is that they don't base the spots on ideas.
They usually show the clipping of the content of the show or a very
sleek montage of the characters from the content. There is no motivation
or any reason to watch the program. There is no difference between
selling a toothpaste or a TV serial or a channel. You've got to
have an idea. An idea to engage the viewer. To entertain the viewer.
Give the viewer a reason to watch or buy into the product."
A
person is subjected to 3,000 messages a day on an average and according
to Karnik "if you are not going to be interesting to him you
are wasting a lot of channel time. In fact most general entertainment
channels (GECs) don't promote their properties very well. In fact
their product is as perishable as vegetables (daily soaps, for example).
They make a lot of investments in the show but don't focus on making
a compelling advertising campaign," he emphasises.
Creative
words of wisdom: To put it simply, if one was to take a 30 second
clipping from a Charlie Chaplin movie... it can make a more entertaining
and engaging commercial than anything you get to see these days.
We
tend to agree! Stay tuned for our next Promo Power special from
yet another creative hotshot!
|