MAM
Star Sports: A new logo, packaging & brand identity
MUMBAI: It was a historic moment for Star India when on 6 November at the stroke of midnight it unveiled the new identity for six of its sports channels – Star Sports1, Star Sports 2, Star Sports 3, Star Sports HD1 and Star Sports HD 2 – and its website (starsports.com). (Star Sports 3 replaced Star Cricket, while Star Sports 4 replaced ESPN and Star Cricket HD and ESPN HD were rebranded as Star Sports HD1 and HD2.)
Today all the channels have a single logo – a star with a thinner silver outline with a streak of colours swishing into it. “The new brand identity is a metallic star with an explosive incandescent trail symbolizing the authority and passion of sports,” elaborates Star India exec VP marketing Gayatri Yadav.
The Star India broadcast design team and the UK-based brand consultancy Venturethree have created the brand identity while the broadcast package has been designed by Los Angeles based design and branding studio Capacity. Venturethree has a client roster that includes Myspace, The Times, Orange, Penguin, Reliance Industries, king.com and Discovery Communications while Capacity has done work for the NFL (national football league) and CW channel.
“The bold new star icon is to stand for a new era of sport. The star is sharp, bold and iconic. It brings strength and authority to the channel. The incandescent trail is explosive and dynamic. It brings the intensity and passion of sports to life. The fiery trail ignites and unites every sport, every player and every fan. It’s the glue that runs through everything on the channel. This expresses the fluid and dynamic nature of sports,” says Yadav.
Sridhar feels that it is just a matter of habit for people to star using the new names
The unified logo highlights the network’s ambition “to change the face of sports broadcasting in the country’ as well as provide world-class sports coverage to Indian sports fans. “To signal the change to the consumer, Star India is bringing all the six diverse TV channels under one brand name, Star Sports, and one purpose ‘believe’,” says Yadav.
According to Leo Burnett Chief creative officer K V Sridhar, the new logo is much more energetic and brings through the focus they are trying to put with Star Sports. “It is a Diwali colourful logo. Their biggest challenge is to merge ESPN and Star Sports. Now promoting their channels will become much easier for them. What they are doing is just the beginning because they are taking upon themselves a very beautiful and visionary strategy to make Star synonymous with sports,” he says.
Wouldn’t it be a difficult task for those used to calling the channels by their former names? “It is actually simpler than before now and it is just a matter of habit before people will start referring to a channel like- Star Sports channel 3,” quips Sridhar.
If it does happen as Sridhar predicts, it will be a job well done.
MAM
Xiaomi India launches Redmi Note 15 Special Edition campaign
OML film puts phone through chaos to showcase durability and camera
MUMBAI: If phones could sweat, this one would still keep its cool. In a market flooded with spec sheets and sameness, Xiaomi India has decided to turn up the heat quite literally. The brand’s latest campaign for the Redmi Note 15 Special Edition swaps predictable product demos for a full-blown kitchen meltdown, with celebrity chef Sanjeev Kapoor trading calm composure for controlled chaos.
Conceptualised and produced by OML, the campaign takes a sharply unconventional route. Instead of listing features, it throws the smartphone into a high-pressure dinner service, where Kapoor subjects it to a series of exaggerated, almost absurd stress tests chopping chillies on it, splashing water across its screen, and pushing it through a tense culinary gauntlet.
The message lands without spelling itself out. While the kitchen brigade falters under pressure, the phone does not. By the time a junior chef declares it “cooked”, the device emerges unscathed quietly reinforcing its durability, ultra-slim design, and 50 Master Pixel camera.
The approach reflects a broader shift in how brands are speaking to digital-first audiences. With Gen Z increasingly immune to traditional advertising formats, the campaign leans into storytelling, humour, and cultural familiarity to hold attention mid-scroll. The casting itself does part of the heavy lifting Kapoor, known for his composed persona, appears in an unexpectedly stern avatar, adding an element of surprise that fuels shareability.
For Xiaomi India, the idea was to move away from feature-led communication towards something more experiential. By embedding the product in chaotic, real-world scenarios, the campaign attempts to make performance feel demonstrated rather than declared.
The result is less of an advertisement and more of a content piece, one that understands the algorithm as much as the audience. Because in today’s attention economy, surviving the scroll might just be tougher than surviving a kitchen rush.
