| |
| Indiantelevision.com's
interview with UTV Founder & CEO Ronnie Screwvala |
|
|
| 'JV
with Disney has possibility to grow all our businesses' |
|
|
| Posted
on 7 August 2006 |
| |
| UTV
founder-promoter Ronnie Screwvala has shown again and again that he is a smart
dealmaker. He got a string of private equity funds and News Corp. to invest in
his TV content company which had successfully expanded into a diversified media
model. But
nothing
can get him more excited than the latest deal he cut out with Walt Disney. The
buyout of Hungama TV ($30.5 million) and a 14.9 per cent stake in UTV ($14 million)
has given him the potential to build a war chest of Rs 5 billion. "In media,
that offers lots of opportunities," he says. Screwvala
can now take fresh risks as he aims at sizing up UTV to a Rs 10 billion company
by 2010. His first goalpost: Rs 5 billion by 2008. He
feels he has come a step closer to his goal. "If I don't take risks, what
is the use of being in this game? I need to be in control of my destiny. And I
need an international surge," he says. On
Screwvala's expansion plate is not just movies and animation but also new media
content including gaming. The fun, as he says, is playing in a bigger field. In
an interview with Indiantelevision.com's Sibabrata Das, Screwvala
talks of the business model he has carved out for UTV's second phase of growth
and the script his company plans to write with Walt Disney.
Excerpts: |
| |
|
How did the talks with Walt Disney initiate? Walt
Disney international president Andy Bird gave me a call as he had heard that we
were looking at a strategic investor. He asked if we could meet in a couple of
days. Little did he know that I was in L.A. at that time. I went over and we started
the discussions. |
| |
What
did Disney have in mind? They wanted to buy out Hungama TV as it would
overnight make them the No. 1 network in the country. And by picking up a stake
in UTV, they also wanted to participate in our diversified businesses. |
|
|
Why were you looking at an investor after Astro had agreed to buy a 26.01 per
cent stake in Hungama TV for $7 million? Our internal strategic team was
evaluating on how we could take UTV from a Rs 2 billion to a Rs 5 billion company
by 2008 and Rs 10 billion by 2010. We realised that we had to be at the top end
of the value chain in all our businesses and we needed to be in control of our
destiny. There were three things we had to do: get a strong international surge
which would give us a fillip; grow vertically in some of our businesses; and foray
into one or two key areas. We felt we would be better off with a strategic rather
than a financial investor. We found our talks with Walt Disney particularly interesting
as India was a high interest and priority area of growth for them. |
|
 |
'With the
agenda of scaling up, UTV shouldn't be seen as a quarter-on-quarter company'
|
|
|
| So
what made you exit from Hungama TV when the kids channel had established its base
among audiences in a short span of time? We had not put Hungama up for
sale. We were looking at a strategic investor in UTV with no thought process of
exiting Hungama TV. If anybody had come with an outright purchase deal of the
channel, our answer would have been a flat no. But when we started discussions
with Disney, we realised that we couldn't proceed without resolving the Hungama
issue as they were in the kids space. We couldn't have partnered with them in
all areas while competing in one. The nature of this deal as it evolved made us
evaluate afresh. We were getting into a much larger joint venture with Disney.
For us, the kids space meant TV content, movies, animation and Hungama TV. In
our overall association with Disney, we felt we could grow in all these environments
except the last. While we were letting go of one of our assets, we would be inheriting
a huge JV possibility to grow all our businesses. |
|
| Did
Disney make an investment in UTV because you wouldn't have otherwise parted with
Hungama TV which they needed for strategic reasons to expand their TV business
in India? Walt Disney was clear from the beginning that they didn't want
to just acquire a winning asset but would like to also build a long term relationship
with the Group. Because there was clarity from both sides and an eagerness to
go forward, the deal could be consummated in just three months. It is not Disney's
habit to make minority investments; the very fact that they did, is because they
believed they could genuinely grow the business. |
|
|
How will the Disney deal help you leverage the company for scaling up? We
will have a cash reserve of Rs 2.36 billion between the sale of Hungama TV, fresh
equity to UTV, and my warrants. We can leverage the company with a 1:1 debt-equity
ratio and have a Rs 5 billion war chest. In media, that offers lots of opportunities. |
|
|
What are the growth opportunities Disney will throw up and when will this script
begin? We are looking at animation, movies, TV and gaming. On the movies
front, we are exploring possibilities of co-producing Hindi films with them as
well as going mainline with English. Home video is another area we are looking
at to expand our Indian movies overseas through their strong retail network. Just
one big co-production deal with Disney will enable us to possibly build more revenues
than Hungama would have done. As it is still early days for the channel, it never
formed a major chunk of our revenue mix. |
| |
|
'Home
video is an area we are looking at to expand our movies overseas through Disney's
strong retail network' |  |
|
| |
| Hungama's
monthly cash burn was around Rs 13 million. Was this a matter of concern for you? The
burn rate was reducing with an increase in advertising revenues. The average monthly
burn had come down to Rs 5-7 million. |
| |
|
Were investors
still disturbed with this? Most of our investors kept telling us that we
are happy with your business, but Hungama is guzzling a lot of money. That is
a short term view to have. In media business, not everything is a profit and loss
situation. There are many aspects of your business where you are building value
for the future, far in excess of your profit and loss calculations. |
| |
| So
were you under pressure from investors? Investors also valued us for exercising
the broadcasting opportunity and were willing to give Hungama TV the time. They
were happy with the progress on an ongoing basis - and we were continuously proving
ourselves. |
| |
|
What made Hungama click in a highly competitive environment where it was up
against established multinational brands? Localisation of content worked.
Then we started cornering original animation content which was available in the
open market. Pokemon and Beyblade are, after all, Japanese animation content acquired
by Cartoon Network. We also did three aggressive on-ground events (Captain's Hunt,
Telethon and talent hunt) that were highly successful. |
|
|
| When
you conceived Hungama TV, where did you see you could carve a space outside the
big global kids channels? The day Shakalaka Boom Boom got 8 TRPs on Star
Plus in the 7 pm slot, we knew local content would work. That was our wake up
call. We realised that kids in India did not have content for kids; they were
watching soaps, horror shows, etc. We started airing Shakalaka Boom Boom and that
is how the syndication model in this country arrived. The channel had a connect
base, enjoyed viewership and had established a brand among kids in just over 22
months to fetch us fair value as Disney paid $30.5 million (about Rs 1.4 billion)
for it. |
|
Post
Hungama, how is UTV poised for its second phase of growth? Our growth is
going to come from movies, animation, monetisation of our international opportunities,
and mergers and acquisitions. We also expect our airtime sales to zoom. And incremental
growth is going to come from TV content business. |
|
What
will the movie pipeline look like? We
plan to have an annual pipeline of 12 movies, one or two international co-productions
and possibly an animation film. We have already lined up three movies with Rakeysh
Mehra. We are making Ashutosh Gowarikar's next movie and three films with other
directors. We have also tied up with Vishal Bhardwaj. And all these are big movies. |
|
Have
you lined up international co-productions? We
see ourselves scaling up on international co-productions a lot. We will be announcing
three such deals with big studios and star cast in the next 45 days. While Fox
will be involved in one venture, the other two will be with different studios.
And these are two-way partnership deals. For Mira Nair-directed The Namesake,
we were involved in a three-member venture with Fox Searchlight Pictures, Entertainment
Farm and UTV contributing equally in the $9.6 million project. |
|
Will
UTV also be aggressive on the film distribution business? The
film business will be production-led. We do not have an aggressive distribution
agenda at the moment. We will, of course, be distributing all the movies that
we produce. But on the acquisition front, we may just do one or two movies for
distribution. |
|
Are
you planning to produce regional films? We
are looking at Tamil and Telugu and are evaluating proposals. We expect that space
to grow, though right now there is not much of an international market for them. |
|
 |
'We
plan to produce Tamil and Telugu movies' |
|
|
How
significant will the movie component be in the revenue mix of UTV and what is
the de-risking system you are adopting? We will scale up hugely but we
expect to keep it under 50 per cent of our revenue mix as other segments will
also be growing. We expect air time sales, for instance, to grow substantially.
In terms of exposure and risk, it will depend on our ability to churn out movies.
And when you are doing a wide basket of films, the risk gets limited as you get
scale built into economics of cost and exploitation. It is a tight rope that one
has got to walk to make that business model work. |
|
For
the last fiscal, UTV posted a revenue growth of 18 per cent but the bottomline
was hit. Going forward, will the pressure on margins continue? Clearly
with the agenda that we have set ourselves, we are not a quarter-on-quarter company
at this point of time. We are going to make serious investments into the business
because we are scaling up. We can't take short term decisions. |
|
What
does that imply? Let's
take the movie business of exploitation, for instance. We want to keep all the
rights rather than part with them for a longer period, because we will get more
value in future. That is what we want to build. That doesn't necessarily mean
that our margins will be under pressure. It just means that we are not going to
put ourselves under pressure to make any short term decisions that has any long
term implications because we have reached a certain critical stage. We now also
have a good cash reserve to follow this model. |
|
Are
you on a weaker wicket on the TV content production segment? We should
be given credit for what we have got right rather than where we went wrong. We
have got stability in a business that is so erratic that most production houses
have been badly hit. TV content is a good business for us because that is what
we have grown up with. But we are not at the top end of the value chain and not
in control of our destiny. Even if you come up with a good product, there may
be a cycle in the life of a broadcaster, the channel may not be doing well, the
slot may not be working - or they may be wanting to do things differently. We
must also not forget that we have continuously maintained our No. 2 position for
the last so many years. We will see incremental growth in this segment. Being
a pure TV content or movie player is an almost impossible model to succeed with,
if you want to be a company of great size. The fact is that we have a mix of multiple
revenue models, given the fact that nothing is so hugely scalable. |
|
You
were never bullish on the animation sector. Has that stance now changed? We
are more aggressive if not bullish because we have a good order book in outsourcing
and are also involved in originating content. We invested Rs 100 million last
fiscal in setting up the infrastructure and have a 225-seater facility in 3D animation.
We are having a pipeline across the value chain and have project orders worth
$18-20 million. |
|
Are
you eyeing acquisitions to make an entry into gaming? We are planning to
enter into gaming as an extension of our businesses in animation, post production
and special effects. We are eyeing acquisitions of domestic and overseas gaming
companies. There is a model for international companies to look at India as an
outsourcing centre and an Indian story for going overseas. We are spending a lot
of time evaluating the gaming business. |
|
Do
you see scope for acquisitions in the movie business as well? There are
no companies with movie libraries or franchisees which will allow you to develop
sequel properties. No such model is available in India at the moment. We don't
see scope for inorganic growth in this area. |
|
Will
UTV see a substantial jump in topline this fiscal? We are expecting a 25-30
per cent growth in topline for FY07. But the big jump will come over the next
two years. We have now started playing in a bigger field. |
|
| Go to Top |
| Click
for Executive Dossier Archives |
| |
| |
|
|
| |