| Interview with Rahul Productions' Smita
Thackeray |
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"We
have given 3 concepts to Sahara & Sony for which we are
awaiting a reply"
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| (Posted on 5
June 2004) |
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Smita
Thackeray, Shiv Sena supremo Bal Thackeray's daughter-in-law, is
slowly expanding her footprint on Indian television. Entertainment
has been her weakness, rather something which she has loved to be
actively involved with. Whether it is producing serials, films or
controlling the piracy menace, she has taken up the cudgels and
not just left it at that, but attempted to see them to their logical
conclusion.
Her latest
serial Kabhi Khushi Kabhi Dhooom (K3D) starring Pallavi
Joshi and Ali Asgar has clear shades of yesteryears' popular films
Brahmachari and Mr India, but it's early days yet
to say whether it will set the cash registers ringing. The serial
airs on Star Plus on Fridays at 7.30 pm.
Indiantelevision.com's
Vickey Lalwani caught up with Thackeray on the sidelines
of the preview of K3D.
Snippets
from the chat:
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You seem to be becoming a big player in Indian television?
Basically I am very fond of the entertainment media, be it dramas,
films or serials. Plus, I think television has grown as an industry
in the last one year by leaps and bounds. So why not? We have Bhagya
Vidhata (ETV Marathi) which completed 100 episodes recently.
Then we've done Jhenp (again ETV Marathi), which portrayed
how cancer patients "are" treated and how they "should
have been" treated, also we had Khel on Sony.
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It
is surprising that you haven't attempted soaps or thrillers in Hindi
programmes so far. Most new producers soon take, or rather begin
with, the safer route of a soap (mostly) or a thriller (sometimes)?
I know. But I want my first outputs in Hindi programmes to be the
ones which are close to my heart. Coming to K3D, I have always
felt very much for the kids who are devoid of parental love. These
children lead a very edgy life. If you respect them, they respect
you more. But if you're harsh to them, they retaliate. But yes,
I have plans for soaps and thrillers on Indian television in the
near future.
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What is your involvement as a TV producer?
Right from the word 'Go' I am involved with my project.
To begin with, I sit for for all story sessions. I firmly believe
that television is story telling. You stretch the story but keep
the audience interest alive constantly. Only then will the show
succeed.
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How do you select the story?
I go with my inner voice. It's purely
instinctive. Of course, I ask some of the close and senior members
of the team who are directly involved in production.
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What's
happening to your film 'Hum Do Hamara Ek' starring Govinda and Raveena?
It has been delayed beyond imagination. I had lots of problems
with the actors' dates. I will not absolve myself from blame. During
its making, I was unable to devote much time to it; I was too busy
with IMPAA. More recently, I had problems in selling the film too.
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"TV
and film business are two different ball games"
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Did
the film face a selling problem because Raveena and Govinda are
not happening anymore?
The distributors haven't told me the reason,
but I think Govinda is a great actor.
Think
of it. There is a chance that Govinda's film can set the cash registers
ringing because he has recently romped home in the Lok Sabha elections
with a thumping margin.
The distributors should understand that (laughs).
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It's
easy in films once you appoint a director. Isn't it different on
television?
(Smiles) It is. On television,
the channel contributes a lot of inputs. Every person sitting in
the channel has a different mindset and vision. It's a huge team
work. You have to go as per the channel's requirement. You have
to accept it. You have to meet at a common point on everything.
TV and film business are two different ball games.
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Coming
to 'K3D', how has the experience been during the making?
It has been fun. Plus there have been situations which have
been difficult to deal with. Like we have selected mostly those
kids who have faced the camera before. Yet kids are very unpredictable.
One moment, they'll give you one expression. The next moment, in
the second take for the same shot, they'll give you a different
expression.
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Did
you cast Pallavi Joshi and Ali Asgar in the leads, or was the channel
(Star Plus) instrumental in casting them?
They were clear that they wanted good-looking, well-known faces.
And I wouldn't disagree on that. It gives a polished look to the
project. We suggested Pallavi and Ali and they did not take long
to endorse the same.
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And the name of the serial?
We were fine with K as Star Plus is partial to that alphabet
and it went well with our storyline. We also wanted to be numerically
correct with three Os in Dhooom.
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"Star
Plus was clear that they wanted a good-looking,
well-known face for
K3D"
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You
said you are fond of kids. Are you planning any films on kids? And
what else is happening on the film front?
I may come up with a kids film in near future, if I get a good
script. I see a lot of Pogo channel myself. Look at our kids going
crazy over Spy Kids 3. I am pained that we Indians don't
concentrate on making films like these.
On
other types of films, I am planning a biggie with Rajkumar Santoshi
as director. Plus there's Hum Jo Keh Na Paye starring Anupam
Kher, Gauri Karnik and Abhijit Sanyal.
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Let's
talk about your TV soap and thriller which is coming up in the near
future.
That reminds me, there's comedy too. Actually, we have given
three concepts to Sahara and Sony put together - comedy, soap and
thriller. We are awaiting a reply.
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How
was your tenure at the IMPAA (Indian Motion Pictures and Producers'
Association) Piracy Vigilance Forum?
When I assumed office, I could control the cable operators.
Almost 80 per cent of these operators listened to me, whether owing
to my position or out of respect. Now, video parlours have become
players in this regard, add this to the CDs we get mainly from Malaysia
and Dubai - it was a very difficult situation to control. We needed
the police and the government's cooperation, but unfortunately,
there wasn't substantial cooperation from them; they had other issues
which were more important and serious than piracy.
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Is
that why you resigned from the Piracy Vigilance Forum?
I formed my own academy where I could involve people from other
associations. While I was in IMPAA, people from other associations
were apprehensive of supporting me. I want to give better results
for the welfare of the industry with this academy. I needed more
active participation. We have just started. Give me some time. I
am trying my best. We have conducted many raids in video parlours.
These
people are not easy to deal with. You shut their shop; the next
week they re-emerge. We want the producers to cooperate as well;
they need to take control of their print security because most of
the piracy happens before the film is released, during the time
of preview etc. Cops and politicians must join the battle in a bigger
way. Crores of industry money is going down the drain on almost
a regular basis. It's a long, difficult journey. But I am hopeful.
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