| Interview with television
actor Manav Gohil |
| |
|
|
"In
television, looks matter a lot. I wish the focus was on acting
abilities"
|
|
| Posted on 10
April 2004 |
| |
|
If
you thought that the youth of today pursues a career in the same
line as their education, this one is for you! Manav Gohil, for one,
never dreamt that he would be an actor. Quietly, he did his B Com
and MBA from Baroda and started a marketing consultancy firm where
he trained company recruits on the art of selling their products.
But destiny had other plans. Suddenly struck by glamour, he began
his long drawn out struggle with an aim in mind that he won't let
it go. Today, he is a known face on the tube.
Fast forward. After being bumped off unceremoniously in Miditech's
Saara Akaash (Star Plus) which he claims was a case of 'changing
tracks', he was doing quite a decent job in Manshaa (Zee
TV). Now that the serial is over and done with, we were wondering
if he was going to be twiddling his toes big time. But hey, here
he comes in Sony's CID.
The time is right to meet this tall, dark and unconventional
looker. Excerpts from an interview by indiantelevision.com's
Vickey Lalwani.
|
| |
|
How did a management personnel become an actor?
Just
for a lark, I participated in a pageant in Ahmedabad which saw me
crowned as 'Man of Gujarat'. The crown on my head started doing
the talking, or rather, spinning my head. 'Why shouldn't I go to
Bombay and try my tryst at modelling and television?' Cut to Mumbai.
I stayed as a paying guest in Napeansea Road. I got a few screen
tests, but failed. I felt intimidated; I couldn't speak when the
moment came.
|
| |
|
That
must have been disappointing?
Disappointing?
That was terrible. I was advised to join formal training in acting.
I asked some money from my dad and enrolled under Kishor Namit Kapoor
(pauses).
|
| |
|
Go
on...
I
started doing theatre under the hope that someone from films and
television would give me my first break. Time was running out, in
the sense, my finances were getting dried up. Those days, theatre
didn't have the market what it enjoys today. I was getting terribly
frustrated. I don't know why but I didn't feel like going back.
And
one fine day, I went to the UTV office asking for a role. I met
a gentleman called Tripathi and told him that I wouldn't leave until
I got some role in any of their shows. He obliged me with the role
of a compounder in C.A.T.S. Luckily I was noticed. And then,
Janam Samjha Karo and Chudiyan happened.
|
| |
|
After
which you got into the Balaji camp?
Not
immediately thereafter. After Choodiyan, there was a small
gap before I was offered Kahaani Ghar Ghar Kii. Actually,
Ekta had seen me in my struggle days. Once I was shooting for a
pilot of a Balaji show called Kavita. The show was aired
on DD, but the casting was changed. Ekta had dropped in there for
some reason. Everybody got up to greet her. I don't know why but
I thought that I should not give her too much importance as I didn't
know her.
Later,
I went to her office to collect my money. Incidentally, she walked
out of her cabin at the same time. I said "Hi Ekta, I am Manav
Gohil." She looked impressed, maybe by the fact that I had
avoided that 'chamchagiri' which other people usually do. Anyway,
she told the Kahaani... EP to cast me in the role of Vikram.
Post Kahaani..., I did Kkusum, Kasautii...
and Kahaani Terri Meri.
|
| |
|
But
you disappeared from 'Kahaani…' without an explanation as to how
the character was terminated?
Did I? (smiles) I know what you mean. Rinku (Chaya, my wife
in the serial) and I (Vikram) were packed off abroad in the story.
Initially I thought that this was just a temporary phase and I would
either be shown landing back in India or doing a few scenes from
abroad, but… (shrugs). At this point of time, Balaji Telefilms
called me for Kkusum.
|
| |
|
"Ekta
Kapoor is a very hard task master"
|
|
|
| |
|
But
you disappeared from 'Kkusum' as well?
I was doing Kkusum and Kasauti Zindagii Kay simultaneously.
I guess, both the roles were somewhat similar, both demanding me
to suspect my wife. I went to the US for a few shows...
|
| |
|
Sorry
to interrupt you, but Ekta Kapoor is a very hard task master. Did
she allow you to go for such a long time?
Yes, she is a very hard task master. She had her apprehensions in
letting me go, but she didn't say much I guess because firstly,
my roles were not so prominent and secondly I had given her a three
month prior notice. There were five people from the Balaji camp
who were going for the same show. Three of them who had major roles
in the serials did face some kind of problem.
|
| |
|
Go
on…
While
in the US, I had some time to myself. I thought that I was getting
straitjacketed in the two serials without doing anything significant.
The story in both the serials had no focus on me anymore. I was
just hanging in the background. So when I came back from the US,
I spoke with Ekta and told her that I had lost interest in Kkusum
and Kasauti… She offered me the lead role in Kahaani Terri
Merri. At this point of time, I started getting lots of offers-
Mulk, Kum Kum, Saara Akaash. I thought things were
changing in my favour, but… only if life was so easy!
|
| |
|
But
you did 'Kahani Terri Merri'?
But
it wasn't before I underwent a period of hurt and agony. After Ekta
and I spoke that day, I did not get any call from Balaji Telefilms
and I started to get restless. I gave a call to Balaji Telefilms
and learnt that they had already casted someone else for that character.
I felt very hurt. At least, they could have informed me. I dropped
Mulk and Kumkum thinking that I would be doing the
lead in KTM. I had planned to allot three weeks for KTM
and one week for Saara Akaash. Later, Ekta called me
and asked if I wanted to do some other role in KTM or do
Kya Haadsa Kya Haqeeqat, but I refused. A week later, I got
a call from Balaji Telefilms that the guy whom they'd chosen as
a lead in KTM was not happening.
|
| |
|
And
the agony intensified when 'KTM' went off the air abruptly?
(Smiles) Still, I got a platform to enact a lead. Thereafter,
I started getting calls for better roles which were better than
the ones that I had played before. Those who mattered began to see
me in a different light.
|
| |
 |
"Saara
Akaash, underwent some major
changes because Star Plus wanted the family angle to come
in as those days, there was a fear of CAS and they wanted
to play safe"
|
|
| |
|
What
went wrong with 'KTM'?
There
was a major communication gap between the concept and its implementation.
A lot of re-shooting had to be done and we were struggling to make
a bank. Ekta was doing her film at that time and she could not devote
much time. By the time she looked into it, she made some major changes.
But it was too late. Things had gone haywire. There was even a dispute
between Balaji and Sony Entertainment Television; Balaji had projected
the show as big as Kyunki Saas Bhi Kabhi Bahu Thi and Kahaani
Ghar Ghar Kii and SET said that they could not pay that much
as the show was not fetching the TRPs.
|
| |
|
And
then?
I was shooting for Saara Akaash, which underwent some major
changes because Star Plus wanted the family angle to come in. But
then I don't blame them. Those days, there was a fear of conditional
access system (CAS). So they wanted to play safe. Alongside, I did
Mansha.
|
| |
|
Does
PR help in the TV industry?
To a certain extent only. But, looks matter a lot. I wish the focus
was on acting abilities. Everything has become so glossy. Today,
a serial like Buniyaad where the lights were slightly dim,
will not sell. The channel will immediately complain and will want
the cameraman changed.
|
| |
|
Are
you a methodical actor?
I
was a methodical actor. But now, I am in the process of becoming
a spontaneous actor. I can't go on rubbing my nose and think for
every scene. I want to evolve from that phase. I want to get into
the skin of my character that emotions come pretty quickly to me.
|
| |
|
Do
you prefer your directors to give you flexibility?
I like my directors to give me a little flexibility in the way I
enact my scenes. If a particular scene is okayed by my directors
and I feel that I could do it better, then I ask for a retake.
|
| |
|
How
did 'C.I.D' happen?
BP Singh called me and I could see that he was offering something
very meaty to me. I have always had a fascination for thrillers.
And I am sure that I'll enjoy every minute doing this one.
|
| |
|
Why
did you opt out of 'Saara Akaash'?
I have not opted out of Saara Akaash. I was shown dead
and my track stopped there. Presently, I am talking to them and
my track might restart again. But I really don't know when that
will happen because I am supposed to go abroad for a month for my
play Uncle Samjha Karo. For the time being, I am involved
with building a bank for C.I.D which would be utilised while
I'm away.
|
| |
|
"In
a serial, tracks and focus keep changing. An actor should
keep doing his work without thinking too much"
|
 |
|
| |
|
But
Manish Gohil and Anuj Saxena have firmly opted out saying that the
entire focus is on Sai Deodhar...
(Interrupts) Even I think that way. But I am game to
restart playing my role. In a serial, tracks and focus keep changing.
An actor should keep doing his work without thinking too much.
|
| |
|
Are
you going to be an integral part of 'C.I.D' from here on?
Yes. I'll be playing the role of Daksh who is this happy-go-lucky
cop. He is shown to be just back from the US and is now part of
the crackforce team.
|
| |
Have
you been told how many episodes you will be doing?
No, I haven't been told. |
| |
What
is the difference between doing a play and a serial?
I have become habituated to doing serials. But I still get very
nervous when I go my first shot of every show of the play. Performing
live in front of a crowd without any room for error is altogether
a different experience. But then, it has it's advantages. |
| |
|
Like
what?
That nervous feeling breeds insecurity which in turn brings
out the best from me (smiles).
|
| |
| Click
here for more Actor's Interviews |
| |
|
|