| Interview with actress Nastassja Kinski |
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"I
want to do different things, or rather - do things differently"
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| Posted on 23 August 2003 |
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Hallmark is all
set to thrill its viewers with the suspense laced Blind Terror.
The film airs on 24 August at 10.15 pm. Nastassja Kinski plays a
widow, who feels that she can get on with her life after meeting
a charming and handsome man who helps her forget about the past.
However, it turns out that this guy has a dark secret from his own
past which he has so far managed to keep hidden.
What follows are nightmarish scenes beginning with ominous phone
messages and petty vandalism. All this quickly escalates into life-threatening
situations.
The German born Kinski has been acting for a long time now. Since
starting her career nearly three decades ago, she gained fame in
a variety of films like Tess, Cat People and more
recently Your Friends and Neighbours where she played a lesbian
struggling to communicate with her lover. In an interview via email
with Indiantelevision.com's Ashwin Pinto, Kinski spoke
about her character in Blind Terror, her reasons for choosing
acting as a profession as well as how marriage and having kids affected
her approach towards work.
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How do you feel about the emotions your character experiences in
Blind Terror?
Blind Terror was an excellent movie. The character required
different emotions to evolve at different stages of the movie. It
was challenging and that's what I liked the most about the movie.
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What aspects of the character's personality were you drawn towards?
The intensity of the character.
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| "When
I was young, I wanted to try my hand at everything and anything
that came my way, not wanting to let go of a single chance"
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Considering the number of suspense and psychological thriller films
that have been made, does that genre have anything new to offer
in your opinion?
A thriller is supposed to thrill you! So it's the plotting of
the movie and the unveiling of the story which is important.
They
might all fall into the same genre, but that's a very broad perspective.
You look at it closely and each of them have a different way to
thrill you.
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What were the major factors that led you to take up acting as a
profession?
I wanted
to become a doctor when I was a kid. I did not know much about the
profession, but I just loved the white coats that the doctors wore.
When
I was young, I wanted to try my hand at everything and anything
that came my way, not wanting to let go of a single chance. I started
off with modeling, and it was Polanski who recommended I get some
formal training in acting. It was only after drama school that he
decided to cast me in Tess.
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Before committing to a film, what key ingredients do you look for?
With the passage of time, I guess my priorities have changed and
so have the parameters on the basis of which I decide to do a film.
Today I look for a lot more mature roles, with a lot of substance.
I want to do different things, or rather -- things differently.
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Do
you improvise often for key scenes in a film?
Of course I do. The scene needs to be perfect, the director needs
to be convinced, I need to be convinced. Takes and retakes are always
important.
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You
worked with Neil Labute in Your Friends and Neighbours. A
lot of people view him as a pessimist, because that film as well
as his debut In The Company of Men explore how men and women
use and abuse each other. Your comment.
Neil had his own style. I think he's brilliant and did things his
way. I don't think I would like to judge his work.
For
everything that you do, there are people who appreciate your work
and then there are those who don't. I think very few people have
the guts to be sure of what they are doing, believe in it, and then
go ahead and do it, irrespective of what people think.
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Were
you uncomfortable kissing Catherine Keener onscreen? What kind of
rapport did you enjoy with her?
No, we were not at all uncomfortable while shooting the scene.
Keener and I share a professional relationship. We knew what was
expected of us and knew we had to deliver. It was like shooting
any other scene, to which both of us gave our best.
The
movies is about sharing your love with someone who is willing to
take it. If the person on the other end is a woman then a woman
it is!
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With
the success of Amelie would you say that the American and
global appreciation of European cinema has grown or was that French
film just a one-time hit?
I think today, we see a lot more regional films receiving global
acclaim. Movies/directors/actors are being recognised and given
recognition. Amelie was a very well made film, and I think
it deserved the appreciation it received.
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As a woman and an artist do you think that director Gaspar Noe went
overboard by depicting a nine minute rape scene in Irreversible
which saw many people walk out of theatres?
As mentioned earlier, I don't like to judge the approach of
a director. If he decided to depict the scene in nine minutes, it
was his choice. As a viewer, I believe you have the option to either
watch it or leave it.
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"I
think, today, we see a lot more regional films receiving global
acclaim
"
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Have
any roles you have played affected your perspective towards life
and if so in what manner?
I
have learnt a lot from my life in general as well as my career as
an actress. While I would earlier act on instinct, I don't anymore.
I did a lot of things when I was younger, that could have been done
another way, and my mistakes have taught me a great deal.
Today,
my life centres around the kids. I am a mother and I am responsible
to them. I take great care to ensure I am there for them whenever
they need me.
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Early in your career you worked with Roman Polanski in the Thomas
Hardy classic Tess. What did you take away from that experience?
Polanski is a great guy. I have great respect from him. He was my
guide and it was he who got me Tess. The experience was wonderful
and I was new and raw at that time. It was he who helped me shape
up.
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Did you consider any of the directors you worked with to be a kind
of a father figure since you relationship with your dad Klaus was
far from smooth?
People keep asking me about my relationship with my father!
I think enough has been written and contemplated upon and I do not
want to comment on it.
I have
always had great respect for my directors. They have all helped
me evolve as an actress and have taught and trained me. I value
every advise that they have given me.
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In
what way did marriage and raising kids affect your approach towards
work?
My
approach towards work and my life as a whole has changed. I now
have to balance both work and home. The kids of course are top priority.
I make sure I don't take up any assignments that require me to stay
away from them for too long. So I try to do both 'good work' and
'play mother'!
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