| Critics say it is too big. Independent producers have
long believed that the size of the BBC's production division puts
them at a disadvantage. It is because the commissioning executives
are under pressure to keep in-house staff occupied, despite a legal
obligation on the corporation to source a certain number of shows
from outside.
According to media reports, relations between the BBC and the "indies",
as the independent producers are known, deteriorated under the previous
director-general, Greg Dyke, who said it was not his job to make
them rich. Some of the independent producers - including ex-BBC
staff such as Big Brother guru Peter Bazalgette - actually became
millionaires.
Independent productions for the BBC include: Spooks (Kudos);
Have I Got News for You (Hat Trick); Friday Night with
Jonathan Ross (Open Mike); and Restoration and Fame
Academy (Endemol).
Fences have been mended between the corporation and the indies
with a deal on new terms of trade, and the indies are now arguing
for the BBC to spend much more externally, commissioning shows on
merit , not through the need to keep BBC employees in jobs.
At the moment, the BBC is obliged to commission 25 per cent of its
programmes from outside, although certain genres, such as news,
are exempt. The BBC said last week it had commissioned more than
2,300 hours from independents in 2003-04.
Jana Bennett, the BBC's director of television was reported as
saying, "I am committed to staying well above the quota in
this current year and in the years to come."
Pact, the trade body for more than 600 indies, wants the BBC's
in-house productions limited to 50 per cent of output, with 25 per
cent reserved for indies and the rest open to all. This would favour
producers outside the BBC, who do not qualify in law as indies,
such as Granada, the programme-making arm of ITV. Pact also wants
the quotas measured by programme cost, as well as length.
Such a shift in power would inevitably lead to significant job
losses at the BBC, although many of these people would probably
set up their stall in the expanding indie sector. There are fears
in the BBC of a bloodbath; independent producers say it would be
more akin to a blood transfusion.
One of the first acts of Mark Thompson, when he took up his post
as director general in June, was to commission a review of the BBC's
commissioning and production structure. Although he was at pains
to say he had an "open mind", few believe he would have
ordered the review had he believed the system was sound.
Thompson hinted in a speech on his first day that the coming months
would bring significant changes to the BBC's structure. "A
BBC, which is big in terms of services is essential. But how deep
should the BBC be? How big, in other words, in terms of vertical
integration, of departments, in-house operations and commercial
subsidiaries? ... We face a much tougher financial environment going
forward - and some testing questions about our size and shape as
an organisation."
Pact's chief executive John McVay, said that he is arguing for
a "level-playing field" and for programmes to be commissioned
on merit, regardless of who made them. "The only way the BBC
is going to survive in future is by making the best programmes,"
he said.
The BBC's review is likely to be completed this autumn, before
the green paper on the renewal of its royal charter.
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