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Lack
of coordination between industry and trainers
There
is miniscule to negligible coordination between companies
running training schemes and the animation industry. As
a result courses fall dismally short of industry requirements.
Repeated attempts by industry representatives for involvement
with institutes have produced poor results. This is largely
due to the reluctance of these institutes to reimburse trainers
as per industry standards as well as wanting to use names
purely to attract potential students. The tendency of industry
representatives to suggest improvements that call for system
overhauls are also not very welcome.
Poor
design and implementation of courses
It
has been found that people with very little experience of
the industry and its norms design animation courses. This
results in material that caters to bookish knowledge only.
Importance is not given to the production environment and
its demands. Students have to re-learn almost all of what
they have been taught once they come into the industry.
Moreover courses are conducted in a haphazard manner with
little emphasis on a structured approach. In most cases,
fundamental principles of animation do not even figure in
the basic level courses.
On
the other hand sometimes industry experts are called upon
to help in the design of the courses but implementation
and teaching is pretty much left to inexperienced staff.
Little credibility of courses among
animation companies
Animation
companies in India have very little faith in the caliber
of students being produced by these institutes. In most
cases the solution is to employ raw talent, as it is far
easier to train a fresh mind than to retrain a confused
one. Too much emphasis is paid on computer animation courses
without a base of fundamental animation theory. Further,
subjects such as cinema, direction, acting, staging, set
design, use of camera, lenses, perspectives, film and video
technology, sound design for animation etc. are not found
in most courses. Animation companies have resigned themselves
to the harsh reality that they will have to impart basic
training to fresh employees in order to make them useful
to the bottom lines.
Inadequate
and poorly trained faculty
The
objectives of most training institutes are business oriented
therefore very little emphasis is paid towards recruiting
industry professionals who charge relatively heavy fees
for their time and knowledge. Very often the best students
are offered faculty jobs by these institutes to train the
next fresh batch.
This
results in a step down phenomenon. With every trainer retaining
only ~80% of what he is taught, with every passing batch
the relevant knowledge of the faculty approaches dangerously
low levels. This ultimately leads to a poorly delivered
course which no doubt has a direct bearing on the quality
of students being produced. It would be worthwhile to find
out how many institutes send their faculty into the industry
to gain first hand experience.
Overcrowding
A
general survey of training courses will reveal a density
of over 2 students per computer system. The size of each
training batch varies between 15-20 students, taught by
an average of 2 instructors. In such cases personalised
training is impossible. Project work is undertaken in batches
of 5 students per assignment. Not only does this prevent
growth of individual creativity, it also does not allow
a prospective employee to fairly judge the true ability
of an applicant.
Overcrowding
is also visible in the structure of most courses. Institutes
try to outdo their competition by offering everything under
the sun. It is impossible to teach animation theory in the
duration that they cover a complete course.
Absence
of standards
The
government has still not recognised this field as a major
factor in vocational training and with the absence of a
single regulatory body it is no surprise that there is a
complete absence of standards. This is one of the few vocations
where a student can be gainfully employed based on the knowledge
he gains during the course of his training. Taking advantage
of this situation many sub-standard and downright poor animation
'institutes' are prevalent in the market.
What
would help is an initiative from the industry that is supported
by the Central/State Governments to institute a national
level body comprising of people from the industry who may
be called upon and given the responsibility to keep institutes
and courses in check. This alone can ensure that we safeguard
the interests of the industry and students as well.
Be
it setting up his own animation and sfx studio in 1995
or providing insights and project reports to help re
structure organisations and animation training schools,
independent animation producer and TASI India founding
member and spokesman Ranjit Singh's 15 yr old
stint in the animation Industry is marked with many
highlights.
In 2001, Ranjit resigned from the company he founded
and has since been working as an independent animation
producer, director and consultant. He is currently writing
the first of a series of books on animation for beginners.
An animator and modeler himself, Ranjit is very passionate
about animation. He wants the new breed of animators
to avoid the struggle of his formative years and in
this endeavor he is forever available for advice to
students and animators alike. He can be reached at phanspal@vsnl.net
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Concurrently
incentives may be provided to the industry and existing
training outfits to take manpower development seriously.
An analogy may be drawn from the manner in which the Canadian
Government is encouraging their industry. Heavy incentives
are available for those productions that qualify through
the stringent criteria of the Producer and Key Creative
being Canadians and 75% of production and post-production
costs have to be paid to Canadians.
The
Indian Government may qualify educational institutes and
animation companies for incentives if they are found to
be actively contributing towards manpower development in
a disciplined manner by setting and maintaining high standards.
Absence
of courses for industry seniors
Training
courses are designed only for aspiring animators and still
fall dismally short of industry requirements. It is no surprise
then that there is a complete absence of courses for senior
animators working in the industry who would wish to upgrade
their skills or acquire newer ones to further their careers.
End
of Part 9
Part
10 of the series entitled 'CHOICES FOR INDIAN INDUSTRY'
shall appear in the next issue of Animation 'xpress.
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Part 1
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Part 2
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Part 3
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Part 4
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Part 5
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Part 6
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Part 7
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Part 8
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