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A
still from "Garfield the Movie TM © 2004 Fox"
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Award
winning L.A based CG and FX major Rhythm & Hues is at it once
again. This time around the folks at R&H have brought Comic
Strip hero Garfield to life for 'Garfield - The Movie'.
Though creating CG characters and doing FX is business as usual
for R&H, an interesting development is the contribution from
its Indian facility. The movie is expected to be released this Friday,
5th Nov. in theatres all over Mumbai.
Speaking
exclusively to Animation 'xpress, R&H India director
of operations Sarawathi Balgam said,"Our Mumbai facility contributed
on certain aspects of integrating the digitally generated Garfield
with the live action scenes & characters. We have worked extensively
on Camera tracking, Matchmoving & Digital image manipulations
(Compositing)"
Elaborating
about the Indian facility's involvement Saraswathi continued, "Camera
tracking is a technique required for seamless integration of Computer
Generated Imagery (CGI) with live action. This involves the extraction
of the movement of the live action camera (as shot by the filming
crew) to be used by the CGI camera (In a CG software)"
"Matchmoving is a technique of digitally extracting the movement
of actors with whom the CGI object needs to interact. For eg. when
our CGI Garfield jumps into the arms of a live action actor, we
need to create a digital version of the actor who is then modeled
and rigged to match the real actor. This digital version of the
actor would then need to be animated or matchmoved to the live action
actor so that the CGI Garfield could move realistically in his arms.
We also use the matchmoved actor to cast shadows and help with reflections,
etc.. all in the effort to get a more photorealistic integration
of the CGI character in the live action environment" she added.
"In
several shots Odie which was a real dog, had to interact with Garfield
a CGI character. Odie's trainer was guiding Odie to do actions that
would help choreograph the scene. The Trainer was also visible on
camera & she needed to be removed using various compositing
techniques" she further added.
"On Garfield, the Indian facility was entrusted with several
increasingly complex shots. In addition to our usual slate of compositing
and background preparation tasks that our 2D artists perform, this
was the first movie that our team of Matchmovers got to prove themselves.
For example we worked on the opening shot of the movie which was
single continuous shot that is 3186 frames long (2.2 minutes). We
had to not only track the motion of the live action camera, but
we also had to matchmove everything that Garfield interacted with
such as the clock, the bedcover, and Jon's arms and upper body as
he hugs Garfield. Furthermore, as it is the opening shot of the
movie where Garfield is first introduced, our Los Angeles supervisors
wanted to make sure that the quality of the work was very high and
that everything was perfect! On the surface, the concept of matchmoving
sounds deceptively simple.. however one has to have not only good
3D knowledge, but they also need to be well versed with knowledge
about cameras, lenses, focal lengths, apertures, lens distortions,
and the extraction of 3d model data from 2d imagery... The matchmoving
of this shot alone took 3 artists working full time a little over
1 month to accomplish!" she said.
"We
had great training, support, and encouragement from our parent company
and our supervisors were quite happy with the overall results. It
has definitely been a very rewarding experience to be able to contribute
in our own little way for bringing Garfield to life" concluded
Saraswathi.
As the debate on 'Whether India can or not deliver quality international
FX' ensues within industry circles, the kind of support as well
as confidence that R&H is investing in its Indian facility is
a shot in the arm of those who believe India can.
-
Anand Gurnani
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