MUMBAI: Saheb Biwi Aur Ganster Returns is a sequel to the 2011 film, Saheb Biwi Aur Gangster. It is, like its predecessor, a film about about warring men but the winner eventually is a woman. Jimmy Shergill, who has taken to illegal ways including running a dacoit gang to maintain his royal lifestyle since losing all the privileges, survived a shootout with his enemy but lost movement in his legs. He is wheelchair bound and had to give up his MLA seat to his wife, Mahie Gill. The sequel takes it from here.
Producers: Tigmanshu Dhulia, Nitin Tej Ahuja, Rahul Mittra.
Unknown to him, Shergill has an enemy, Irrfan Khan, who wants to avenge his grandfather‘s death at the hands of Shergill‘s family. Shergill then goes on to add another enemy to his list in Babbar whose daughter, Soha Ali Khan, has caught his fancy. He knows Babbar would not willingly give away his daughter to a handicapped man. He plots to make Babbar agree but promises he will marry her only when he is able to stand on his feet again. Meanwhile, Gill continues her wayward life, always a drink in hand and in search of a man.
Irrfan is now even more determined to take on Shergill because he and Soha are very much in love. He, along with Babbar, starts plotting against Shergill and adds others with an axe to grind. The first one is the weakest link around Shergill, and that is Mahie. Irrfan can meet for her demands: cash and sex. The background political games are on and Shergill or no Shergill, the group has joined the cause of dividing UP. When it comes to reality, it is Gill who is the MLA and whose vote will count the next day. But Shergill is not the one to take things lying down. He locks up the three MLAs to stop them from voting.
Many such games are played by the four ‘royals‘. But it is finally between Irrfan and Shergill. Irrfan‘s family does not even have residual sign of royalty left as the older brother has taken to teaching for survival while the younger has joined the police. He is that much more bent on restoring his ancestral glory. However, if he has turned Gill against Shergill, he has also unwittingly lost his love, Soha, to Shergill.
Saheb Biwi Aur Gangster Returns goes along smoothly through its lengthier first half but come second half, it loses pace. Too much is happening but not all that is promised in the first half is delivered. Except verbal one-upmanship, there are no bullets flying. Irrfan has promised ‘ghamasan‘ war but nothing of the sort happens. He goes out meekly (maybe to be resurrected in Part 3?). The climax leaves one disappointed.
The direction by Tigmanshu Dhulia is competent as expected. The best part of the creative side is the film‘s dialogue. Music is okay and the item number is funny. Photography is good. While all artistes contribute ably, Irrfan is his usual best. Shergill exudes all the pride and power of an ex-royal very much still in control. Gill is okay. Soha is restrained. Raj Babbar does well. Deepraj Rana is effective.
Saheb Biwi Aur Gangster Returns has not been able to draw the expected opening response but should show some improvement over the weekend. The exams period will also affect the collections.
Producer: Ashok Pandey.
Saare Jahan Se Mehnga is a satire, one of those films that aim to make a point. It is also the kind of film that does not demand big stars but needs more lifelike characters. This helps both, the subject as well as the budget. Besides, like the producer‘s earlier film, Phas Gaye Re Obama, its aim is to entertain.
The film is about a family of four and how it copes with rising costs. Sanjay Mishra works with the animal husbandry department in Haryana. His wife, Pragati Pandey runs a beauty parlour from within the house. His younger brother, Ranjan Chhabra is a good-for-nothing young lad who took three attempts to get through 10th exams and has failed thrice already in 12th. The patriarch of the house is a grumpy old Vishwa Mohan Badola who is upset at having to make compromises in his lifestyle. The village crowd gathers outside Sitaram Panchal‘s cycle repair shop where, while working, he delivers speeches against rising costs and promises people that once the government brings back the black money from Swiss banks, every Indian will get four lakh rupees.
Meanwhile, Mishra learns that the local government is offering a lakh for every 10th-pass youth to start a business, that too with interest waiver for the first three years. He can avail of this loan in the name of his brother but is sceptical at first knowing his brother will only sink the cash. Then an idea strikes him. He can avail of this loan and with that money; stock up enough provisions to last the family for the next three years! The monthly cost on this account can be saved and will be enough to repay the loan at the end of three years. This way, the family can enjoy an inflation free life for the period.
Soon the loan is availed and the provisions stocked up. But there is one condition of the loan they missed: It is to set up business and they have no such venture to show when the loan inspector, Zakir Hussain, visits. The consequences, according to the inspector, could be jail for Chhabra. As a solution, a part of the parlour is converted into grocery shop. The customers come but are sent back. After all, the shop is only a front. The neighbourhood grocer, Pramod Pathak, thinks he has a competition and keeps Hussain in the loop about the situation. Pathak is already unhappy with the family since Chhabra is courting his daughter, Disha.
Following various ways to trick Hussain into believing they are running a genuine shop with the loan amount, the bubble bursts.
The film is a dig at the continuously rising costs and a family‘s struggles to beat it. The script is a bit stagey. The direction is fair. Dialogue is witty and effective. Music is average. Performances by Mishra, Chhabra, Pandey, Pathak are good while Badola makes his mark. Disha is okay. The film has familiar faces in supporting casts, those seen on TV or in films in side roles.
Saare Jahaan Se Mehnga is an okay film but it lacks the face value and promotion to survive at the box office.