The Special Jury Prize went to ‘Postcards from the Zoo’ by Indonesia’s Edwin made in collaboration with Germany, Hong Kong and China.

The jury made a Special Mention of director Yoshimasa Ishibashi’s Japanese film ‘Milocrorze: A love story’ and all his actors.

Ajita Suchitra Veera won the best director award for the film ‘Ballad of Rustom’ which has been made in 35 mm with optical effects instead of using digital technology.

The Best Actress award went to Rii for her unconventional role in the film ‘Cosmic Sex’ by Amitabh Chakraborty, while Shadab Kamal was the best actor in ‘B.A. Pass’.

A Special Jury Award was given to the Indo-American film ‘Patang’ by Prashant Bhargava on how festivities can lead to healing of relationships.

In the First Feature Competition, the top award went to ‘Beyond the Hill’ by Elmin Alper of Turkey, and the Special Mention went to Thailand’s ‘In April Following Year there was a Fire’ by Wichanon Somumjarn.

Turkish film ‘Silent’ by L Rezan Yesilbas won the top award in the Shorts in Competition while Special Mention was made of another Turkish film, ‘The Bus’ by Olgu Baran Kubilay .

Coincidentally both the audience award and the award of the international federation of film critics, FIPRESCI, went to ‘Hansa’ by Manav Kaul.

The twelve-year journey undertaken by the Festival received a new boost with Delhi Chief Minister Sheila Dikshit offering full support to making Delhi the second film city of the country. She said the city has a large heritage, ecology, people from all states, and "above all, it is a city that responds".

Speaking at the grand finale of the Festival yesterday, the Chief Minister said though there are constraints of space in the city, the Government will do everything to facilitate entrepreneurs. She said "we will celebrate the film city with great pomp".

She appreciated the work put in by Osian’s and its Chairman Neville Tuli for "being bold enough" in putting together the Festival despite several hurdles.

Dikshit also unveiled the new trophy in the shape of a turtle. The environmental focus is taken also taken forward by commissioning a new Osian’s – Cinefan Award Trophy crafted out of the eco friendly material – terracotta – by eminent artist K. Laxma Goud. His depictions since the early 1970s depicting the human-animal-nature continuum represent some of the finest examples of modern Indian art. The trophy was first revealed on World Turtle Day, 23 May.

In his brief speech, to Osian’s Group chairman Neville Tuli said the more efforts one puts in, the better the results. He said there was a new bubbling of change.

He also referred Osian’s establishing an Osianama Arts complex for promoting art and good cinema culture is coming up in the Kila Complex in Delhi by September.

Festival Director Indu Shrikent said the festival had proved to be an exhilarating experience. The passion with celluloid had inspired Osian’s and resulted in the section on environment, 7.4. But she quoted Robert Frost who had said "I have promises to keep, and Miles to Go before I sleep".

The Turkish Ambassador to India Ambassador Burak Akçapar was also present.

The Festival marked a return after a gap of two years and proved to be the biggest film event in the country with as many as 176 films from around 38 countries from India, Asia and the Arab world.

The Film festival which was held in New Delhi from 27 July to 5 August 2012 at Siri Fort Complex and the Blue Frog at the Kila Complex, had 15 World premieres, 8 International premieres, 104 Indian premieres, and 13 Asian premieres. The screenings included 61 shorts.

The films were shown within a framework which focused on Freedom of Creative Thought and Expression - the special theme for this year.

The OCFF is organised by the Osian’s Group in collaboration with Delhi Government. But this year, the OCFF also received cooperation from the Information and Broadcasting Ministry, the Morarka Foundation, the Tourism Ministry’s Incredible India campaign, Blue Frog among others.

Renowned Egyptian film critic Samir Farid received the Lifetime Achievement Award named after the Festival’s founder Aruna Vasudev. He later delivered a lecture on film criticism.

A new component this year was the introduction of music with performances by renowned artistes every night at Blue Frog under the shadows of the Qutab Minar.

The Japanese film ‘Asura’ by Keiichi Sato of Japan opened the Festival on 27 July and the Bengali film ‘Chitrangada’ by Rituparno Ghosh was the closing film. This film had Indian premiere at the OCFF.

The Asian and Arab competition with twelve films were judged by Marco Mueller who is Artistic Director of the Rome Film Festival. Members included the eminent Muzaffar Ali, Iranian filmmaker Ali Mostafa, Egyptian director Magdi Ahmed Ali, and the American filmmaker James V Hart.

Mr Mueller delivered the first Mani Kaul Memorial lecture on 29 July and Mr Hart held a master class on 2 August which was marked as Horror day because of the genre in which he has specialized.

The Indian jury which saw nine films was headed by Iranian filmmaker Hamid Dabashi, Indian director and film critic Khalid Mohammed, renowned actor Lillete Dubey, Ms Annemarie Jacir from Jordan, Afghan-born filmmaker Atiq Rahimi, and Dutch documentary filmmaker Sonia Herman Dolz.

The First Features Jury judging nine films had eminent filmmaker Huseyin Karabey, Korean actor and writer Jeon Kyu-hwan, and Indian filmmaker Gurvinder Singh.

The shorts competition jury which judged 12 films comprised Iranian filmmaker Panah Panahi, independent Indian filmmaker Ashvin Kumar and National Award-winning filmmaker Umesh Kulkarni.

In addition, there was a jury set up by the international federation of film critics, FIPRESCI, which has Klaus Eder of Germany, Dr Shoma A Chatterji of India, and Egyptian film critic Tarak el-Shinnawi.

In all, there were around sixteen press conferences and thirteen celebrity interactions at the ‘Deewar’ in the Green Corridor, featuring over fifty film personalities, apart from a large number of media interactions. The Deewar was the Wall of Celebration which marked a centenary of Indian cinema.

Known for its bold programming and relentless innovation in introducing new cinemas to Indian audiences, OCFF showed some films that turned out to be milestones in the fight for freedom of expression. These included five features and two documentaries.

Participating countries included China, Estonia, Indonesia, Iran, Israel, Japan, Philippines, South Korea, Taiwan, Thailand, Turkey, Morocco and Algeria among many others.

Some of the highlights of the Festival were:
·