China, Singapore sign film co-production agreement

MUMBAI: China and Singapore have signed a film co-production agreement on the sidelines of the 7th China-Singapore Joint Council for Bilateral Co-operation (CSJCBC) in Beijing, China.

The agreement was signed by Singapore’s Parliamentary Secretary for Trade and Industry and Information, Communications and the Arts, Sam Tan, and Vice Minister Zhang Pimin, from China’s State Administration of Radio, Film and Television (Sarft).

The co-chairs of CSJCBC, Singapore’s Deputy Prime Minister Wong Kan Seng and China’s Vice Premier Wang Qishan, witnessed the signing.

The China-Singapore Film Co-production Agreement covers theatrical feature films and telemovies, across live-action, animation and documentaries. It is expected to pave the way for more film tie-ups between the two countries as co-productions will enjoy the same access to government funding and incentives as do national productions in each country.

Official co-productions are also treated as national productions in each country for the purposes of content regulation.

Sarft Vice Minister of China’s State Administration of Radio, Film and Television Zhang Pimin says, “In recent years, both countries have embarked on film-related exchanges such as importing each other’s films and co-organising film festivals, which set the foundation for closer collaboration in the future. The signing of the China-Singapore Film Co-production Agreement provides direction and guidance for filmmakers from both countries to pursue co-productions, and creates favourable conditions for partnerships in content and technology development."

Parliamentary Secretary, Ministry of Trade and Industry and Ministry of Information, Communications and the Arts Sam Tan says, “With a rising global interest in Asian media content, this Film Co-Production Agreement presents immense opportunities for filmmakers in China and Singapore to collaborate, as well as share experiences and resources to showcase the rich heritage and culture in our two countries internationally through films. There is also potential for filmmakers from both countries to collaborate in new growth areas, such as stereoscopic 3D productions”.

The negotiations for the Agreement started in late 2008 and took about one-and-a-half years to conclude, a relatively short time for such agreements, and a testament of the longstanding and special relations between Singapore and China.

The Film Co-production Agreement will be administered by Sarft Film Bureau and Media Development Authority (MDA), on behalf of China and Singapore, respectively.

To facilitate greater exchanges between filmmakers from both countries, the Sarft Film Bureau and MDA plan to embark on a regular China-Singapore Film Festival Exchange. This follows a successful pilot that saw the inaugural Singapore Film Festival in Beijing and Shanghai in 2007, and the first China Film Festival in Singapore in 2008. In addition to reaching out to the movie-going public, these film festivals will serve as platforms for filmmakers from both sides to meet and exchange ideas.

Sarft Film Bureau deputy DG La Peikang says, “In line with our common goal of promoting cultures and mutual development, Sarft and MDA co-hosted film festivals in 2007 and 2008. The first Singapore Film Festival held at Beijing and Shanghai in 2007 was well-received by Chinese audiences; similarly, the China Film Festival in Singapore in 2008 was equally a success. We hope the China-Singapore Film Festival Exchange would promote the development of the two countries’ film industries, and contribute toward enhancing the friendship between the peoples of the two nations”.

MDA CEO Dr Christopher Chia says, “The China-Singapore Film Co-production Agreement is a landmark agreement that will spur greater industry collaborations between the two countries. It facilitates filmmakers from China and Singapore to pool resources and create a larger distribution network for the international market. China and Singapore share deep historical and cultural connections. This affinity in language and culture, warmed by many decades of friendly collaboration, will allow filmmakers from both countries to pursue common themes and unearth uniquely Asian storylines that can resonate with global audiences”.

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